In 2005, just in time for Easter, Mel Gibson released an edited version of his controversial film The Passion of the Christ. A few brutal scenes had been cut and camera angles had been changed, all in an attempt to soften the graphic violence of the original. Gibson said that the new edition of the film would appeal to people who “want to take your Aunt Martha or Uncle Harry” to see it but who would find the first version too intense.
From the time I was a little girl I have loved international airports. In short segments of time you encounter diverse and colorfully costumed people from all over the earth arriving and dispersing throughout a web of corridors and platforms and waiting areas. You hear conversations in dozens of languages as people hurry toward their destinations.
The one who voices Psalm 51 is on the floor before God, utterly ashamed and as dust before glory: “My sin is ever before me.” The symptoms of sin are gradually displaced by the greater reality of God: “Against you, you alone, have I sinned.” The speaker does not look outside for an oppressor to blame, but inside, to the “inward being,” for a heart to be renewed.