It’s the second movement of Leonard Bernstein’s choral work, Chichester Psalms. A boy soprano (or a countertenor), in the “role” of the shepherd boy, David, sings in Hebrew the opening verses of Psalm 23. He is accompanied–sparingly, fittingly–by the harp. The first several measures are tender but not tentative; filled with sentiment, but without sentimentality (this per Bernstein’s instructions). When the women’s voices take over the text at גַּם כִּי־אֵלֵךְ בְּגֵיא צַלְמָוֶת . . . (Yea, though I walk through the valley of the shadow of death . . .) there’s an ethereal echo-canon effect. This part of the movement, when executed well, is something sublime.
Oh Peter, how I love thee. You make my craziness seem normal, thank you.
In the midst of the most amazing thing he had seen to this point, the
Transfiguration, Peter stops being present to the glory just long
enough to say, “Master, it good for us to be here. Let’s build three
dwellings: one for Elijah, one for Moses, and one for you.”
disciples were obviously astonished to see Christ in glory," said our pastor. He was prepared for questions about the Transfiguration. Instead, one first grader asked, "what does 'obviously' mean?"
I have finally gotten around to putting away the green garden hose I tripped over all fall. After some extended travel time, the sudden frigid weather caught me off guard. Trying to coil cold plastic hose in a chilly garage seems impossible. Getting the job done properly requires time and patience. I was determined to take hours if necessary and to do it with humor and the long view.
Learning to see in new ways is one of the most difficult tasks of the transformed life. Old habits of selective vision, old choices about what to leave out and what to focus on tend to dominate us, even as we search for new ways of living that are in closer communion with the life of the Spirit. Transfiguration--that mysterious transformation of vision that is narrated in today's readings--is a radical, if brief, way of illumination.