They are like trees planted by streams of water, which yield their fruit in its season, and their leaves do not wither. In all that they do, they prosper. —Psalm 1, verse 3
A visual response to the words of the first Psalm, Charles Dupree's Blue Tree flourishes in its watery environment. Its deep roots and fine branches inspire confidence that the tree will have strength and flexibility sufficient to withstand storms. Dupree works in the medium of encaustic—a specially formulated wax mixed with pigment that creates unique textural effects. As is so often true of modern and postmodern works, the medium is much of the message. The artist says, "As priest and artist, I love the mysterious effects of wax. Wax is to the canvas what incense is to the worship space. Light, smoke and the wonder of God inform all of my work."
In Wendell Berry’s novel Jayber Crow, the main character works to come to terms with who he is. At midlife, after going through a crisis, he says, “Now, finally, I really had lost all desire for change, every last twinge of the notion that I ought to get somewhere or make something of myself. I was what I was.
All I know about Jesus is what I heard him say. That’s all I know about almost anybody. It’s not true that “deeds speak louder than words.” Only words speak. The old “I’d rather see a sermon than hear one” is only partly true. Most ministerial speech these days tends to be in the affirmative mood. We pastors are, in the acerbic words of Stanley Hauerwas, a “quivering mass of availability.”