I was in Nashville with colleagues, and a few of us had made our way to the Bluebird Cafe, which might be called the mother church for country music songwriters. A quartet of men and women sang and played guitar for about 80 people from 9 p.m. to around 11. The music was beautiful, and I wandered out of the café with the honest testimonies of human nature and destiny stirring within me.
We Christians believe that we have a moral obligation to point to the pain that the rest of the world can’t see. Others may stroll past the suffering, but we stop and stare, take up an offering, make an appeal and collect blankets, sighing as we do our bit to alleviate some of the misery. That life may not actually be rotten in our part of the world today only increases our guilt for our occasional lapses into joy. How dare we sing when others are sufffering?
In his collection of poems titled After the Lost War, Andrew Hudgins chronicles the life of a Confederate soldier during and just after the Civil War. In “What Light Destroys,” the soldier fondly recalls a camping trip he once took with his four sons.
The music is out in brassy force, the altar flowers are in full
bloom, and the sanctuary is full of people not seen since December.
Ironically, even the visitors know the story, or imagine they do, and
the lectionary readings are always the same—Matthew or John. What does
the preacher say in her second, or 22nd Easter sermon that wasn’t said
Rarely are cemeteries as peaceful as they seem. My boyhood friends visited them by night to consult with spirits—86-proof spirits, as I recall. Sometimes we’d glimpse young couples having soulful, breathy talks among the tombstones.