Carol Howard Merritt reflects on church reinvention
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"Co-creating is a lot of fun," says Jenn DiFrancesco. She and her Slate Project colleagues don’t show the same sort of weariness church planters often display a couple years in.
SFTS understands that the church is in the midst of a transformation. Its new center aims to meet new challenges—and to welcome institutional change.
Sanctuary of the Arts was started by Jeff Cheifetz and Amy Shoemaker. Their work reminds me that we don't have experiences separate from our bodies.
When Jeff Richards paints a picture of church in downtown Sacramento, the church doesn't tower over the other buildings. It inhabits them.
Under Ruben Duran's leadership, the ELCA has started an array of worshiping communities in homes and bars and on the streets and in train stations.
Mercy Junction has a dedicated group of people, but it's not financially self-sustaining. Recently, it started managing a large church building.
The Presbyterian Peace Fellowship board knew it had a choice: build an institution, or build a movement.
As new forms of congregations arise, new musical forms are developing. Walls are coming down—secular vs. sacred, intellect vs. emotion, contemporary vs. traditional.
Many of us stand like grunting toddlers, longing for something but lacking the words. As the Spirit moves, our yearnings begin to wear syllables.
"After we receive the bread, we're gonna go to the kitchen," he said. "We have cheese pizza tonight."
"Revival" usually implies a preacher with great oratory skills. Nashville's Downtown Presbyterian stokes something different.
After Pathways settled in its new home, former St. Giles members started coming back to worship there. It took a little getting used to.
Carol Howard Merritt is author of Tribal Church and cohost of God Complex Radio. Her blog is hosted by the Century.
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