For seven splendid years (1953-1960) I studied at Union Theological Seminary in New York. Someone told me that visitors to the seminary were occasionally brought around to the tutors' office, where I worked as a graduate student, in order to glimpse "the Barthian"—of which species I was apparently the only one in captivity in that place.
The paradox of being a writer is that you are more likely to get outcomes when you let go of getting outcomes: it frees you from the ego's grip. There is a parallel here to the faith journey: seek your life and you will lose it, lose your life and you will find it.
John Calvin grounded our need to know God in our createdness: "What is the chief end of human life?" he asked, and answered, "To know God by whom we were created." This yearning is not the same as our need to "know" other human beings.
Along America's highways, wooden barns used to reign, and blue or white silos stood like sentries. Today those wooden barns and silos are decaying, their wooden ribcages emerging like skeletons after years of neglect, and slowly being replaced by low steel buildings. Under this seemingly innocuous change in architecture lies a great American drama.
Brian Darweesh and Reem Younes had a simple, civil wedding as Syrian refugees in Lebanon. They had fled from their homes in Syria due to violence and a threat on Darweesh’s life. Two Mennonite congregations in Winnipeg, Manitoba, sponsored their immigration to Canada. A little over a year after the civil wedding, the two Canadian congregations threw the couple a wedding ceremony, complete with a wedding dress for Younes and a Syrian dessert. “She married the man of her dreams . . . but [until now] she didn’t get to have the wedding of her dreams,” a congregational representative said (Mennonite World Review, October 16).