When my father boarded a ship to New York in 1938, he brought his trunks of family silver and linens—and his faith. Years later he returned to Germany with my mother and me and showed us the magnificent church where he was baptized, raised and confirmed, St. Mary’s in Lübeck.
My mother studied painting at the New York Art Students League with Joseph Solman, the American artist who died last year at age 99. Solman was briefly a member, along with Mark Rothko, of an artistic vanguard known as The Ten, which in the 1930s rejected the literalism of American art and championed expressionism.
"I have to tell you about Maggy," my colleague said excitedly. He had just returned from meetings with church leaders in east-central Africa. "Love made me an inventor," Marguerite "Maggy" Barankitse had told the group. The more she talked, the more my colleagues wanted to see Maggy's Maison Shalom (House of Peace), near Ruyigi, Burundi. There, after the horrors of civil war 15 years ago, she has rebuilt her village. It's an extraordinary resurrection story.
The nuns at the Abbey of St. Walburga in northern Colorado have been raising and selling grass-fed beef for about seven years. They always have a waiting list for the organic beef. One sister sees a relationship between cattle and their life of prayer. “Praying with the scriptures is like chewing your cud,” she says. “So all through the day, we’re ruminating on it. We chew, chew, chew, swallow, regurgitate. So it’s not just ‘the Lord is my shepherd,’ it’s ‘the Lord is my cowboy’” (NPR, December 22).