Once again it was a Lent of loopholes, of minor sacrifices deferred by family travels and travails and of minor irritations unredeemed, so that as Palm Sunday drew near it caught me in need of a new beginning, in want of a jump start.
Laughter was a hallmark of my family’s life as I grew up. Our family dinner table was so often marked by jokes and storytelling that we were the embodiment of those old canards about communities that know the jokes so well that all you have to do is call out the numbers and everyone laughs.
Most Christians are stubbornly fixed on being like Jesus. He is the gold standard for what it means to be fully human, in full union with the Divine. They tell me what it costs to love unconditionally, to forgive 70-times-seven, to show compassion for the poor—all essential hallmarks of Jesus’ ministry. What I hear less about is what it costs to oppose the traditions of the elders, to upset pious expectations of what a child of God should say or do, to subvert religious certainty, and to make people responsible for their own lives. Yet all of these are present in his example too.
A few weeks ago, oppressed by some worrying news, I stopped into our college art museum. On the floor devoted to American and modern European paintings, I paused to admire Charles Sheeler’s Rolling Power, a close-up of train wheels, pistons and steam commissioned by Fortune magazine to honor the dynamism of the industrial age.
Josephine Finda Sellu, a nurse supervisor, is on the front line of the fight against Ebola in Sierra Leone. She lost 15 of her nurses in rapid succession. As other workers left the hospital, her family begged her to quit her job. Some of her colleagues have been abandoned by their families due to fear of the disease. Usually a tower of strength, Sellu cries when she talks about the nurses she’s lost to the disease. She sometimes wishes she had become a secretary instead, but she sees her job as a healer as a calling from God (New York Times, August 23).