I wasn’t sure what to make of Frida, a movie about the sadness, courage and indomitability that characterized the life of Mexican painter Frida Kahlo. Because I wanted to know more, I watched the interview Bill Moyers did with the movie’s director, Julie Taymor.
Every July for the past seven years, my quiet corner of North Georgia has become the site of a Native American Sundance ceremony. While the rest of the nation stocks up on beer and firecrackers for the Fourth, the Sundancers arrive in cars with license plates from Florida, North Carolina, Massachusetts and Maine.
On a summer evening in our town, Carnival came to Main Street. Biker convoys parked their gleaming Harleys outside the Internet café and flocks of teens from the suburbs rivaled the Harleys with their personal adornments of metal trimmings, tattooed limbs and orange and purple–streaked hair. To us locals all this hubbub was normal; we see it every year at Carnival time.
Toward the end of Toni Morrison’s Beloved, a powerful novel about slavery and its aftermath, one of the characters reflects on the impact one woman had on his life: “She is a friend of my mind. She gather me, man. The pieces I am, she gather them and give them back to me in all the right order. It’s good, you know, when you got a woman who is a friend of your mind.”
We often engage in disputes about how events from the past should be remembered. Whether we’ve had an argument with a child, a quarrel with a spouse or a debate about national history, the truth about the past seems to matter a great deal. And yet there are powerful voices in our culture that tell us that we should let go of this interest.
In 2006 Charles Roberts walked into an Amish schoolhouse in Pennsylvania, shot and killed five schoolgirls, injured another five and then took his own life. The Amish community immediately declared that it forgave Roberts for his heinous acts, and some of them reached out with compassion to Roberts’s mother. Roberts’s brother Zachary is now working on a documentary called Hope, focusing on his mother’s journey since the shootings. “How does the mother of a mass murderer move forward?” he asks. Forgiveness and faith have been the key ingredients in her life (Huffington Post, November 17).