Ever since I was a kid, I've been intrigued by gestalt pictures. These intriguing pictures contain two images, but the viewer can see only one of them at a time; as one comes to the foreground, the other recedes into the background. In one famous picture I can see either two faces or a candlestick. In another one, I can see either a young woman or an older one.
In this splendid book Belden Lane has made a double contribution—to the
reordering of our perspectives on creation and to our understanding of
the Reformed tradition as a contributor to this reordering.