With books like Blessed Rage for Order (1975) and The Analogical Imagination (1981), David Tracy became widely recognized as an important revisionist theologian—one who revised Christian categories in view of modern categories of thought.
Many of the most moving experiences I have had with students in class have involved encounters with members of other religious traditions. When teaching at the University of Saint Mary of the Lake in Mundelein, Illinois, I used to invite Rabbi Herman Schaalman to speak to first-year seminarians about the importance of Jewish-Christian dialogue since the Shoah.
Lent tears us from the glow of Christmastide and Epiphany and propels us into a harsh new season. The early warning signs—the flight into Egypt, Rachel’s uncontrollable wailing, the talk of the cost of discipleship—were easy to gloss over while the “Noels” were still ringing in our ears.
My guess is that most middle-aged people when prodded to consider “aging” think immediately about what the flesh is heir to. In my case, there is the hair once “prematurely” gray now (without excuse) white. The root canals. The face that looks increasingly lived-in, the lower back that threatens to go out.
Most people, on some level, love movies. Yet as both a Christian and a filmmaker, I’m persuaded that Christians have not excelled at filmmaking because they haven’t really loved the cinema. They may love the power of cinema. They may appreciate the social impact of cinema.