Aristotle writes that we would never go to the theater to see terrible things happen to a good man through no fault of his. Yet here we gather, aching for a good man’s sorrows and turning to him to make sense of our own.
Caravaggio painted his The Incredulity of St. Thomas sometime around the turn of the seventeenth century. Jesus (in white linen) stands to the left, Thomas is next to him (in a thread-bare red shirt), and Jesus is guiding Thomas’s hand as Thomas places his finger in the wound just under Jesus’ right breast. Two other disciples, also in red, hover in the scene