Sarah's Key is culled from a popular novel (by Tatiana de Rosnay)
set during the Holocaust and the Nazi occupation of France. The main
character, an American magazine writer (Kristin Scott Thomas) living
in Paris, discovers that her husband's family acquired their home after
the Jews who once lived there were sent to an abandoned stadium, where
they endured three hellish days before the Nazis transported them to the
Perry Bush has set himself a daunting task: to tell the story of Mennonite pacifism from World War I through Vietnam. Drastic theological shifts, the expansion of denominational bureaucracies in response to wartime pressures, the experiences of individual draftees: all are part of this complex narrative.
A few weeks ago, on my way home on a crowded rush-hour train, I was
slouched down in my seat trying to hide my uncontrollable crying. I was sobbing
not for the lost souls of the world but because I had reached the end of Unbroken,
a new book by Laura Hillenbrand. As embarrassing as my public display of
emotion was, I could not stop reading.
At first the editors of the Century, like most others who viewed the situation from afar, failed to appreciate the threat posed by the rise of the Nazi party in Germany. By May 1933, a few months after Hitler assumed the position of chancellor, editorials began to take the rise of fascism more seriously.