A few hours ago, a man walked into the Family Research Council's headquarters in DC, where he shot and wounded a security guard before guards and bystanders subdued him. This should go without saying, but that was a despicable, cowardly, immoral thing to do. There is categorically no place for this kind of violence.
The fourth of July joins Memorial Day and Veterans day as the three times a year I feel out of step with the rest of American culture. While I’m grateful for my country’s freedoms and opportunities, and I want to mourn with those who mourn the losses of war, I cannot participate in rituals that glorify war.
If you want to filter your/your child's movie viewing through some fairly granular rules about sex, nudity and profanity, the Motion Picture Assocation of America's rating system is your friend. If, like me, you have a weak stomach for depictions of violence--glorified or not, realistic or not--you kind of have to do your own research.
In Suzanne Collins's trilogy, and the recent movie
adaptation of the first book, the Hunger Games are a nationally-televised
spectacle in which 24 randomly chosen teenagers are forced to fight to the
death in a man-made arena. The annual Hunger Games are an instrument of
oppression by the Capitol--the center of totalitarian power that survived a
rebellion--to remind the 12 districts under its power just how powerless they
The citizens of the Capitol love the Hunger Games. To
them it is pure entertainment. To the citizens of the 12 subservient districts,
it is a form of torture. Their children and neighbors become murderers or
victims, and they are forced to watch (literally--viewing is mandatory).
There is a paradox at the heart of The Hunger Games' appeal.