By the time the credits began to roll for Lars and the Real Girl, the movie was at the head of my list of top movies of 2007. Writer Nancy Oliver and director Craig Gillespie deliver a sensitive portrait of Lars Lindstrom (Ryan Gosling), a young man so gripped by shyness that the only companion he dares relate to is a life-size silicon doll.
I often tell screenwriting students not to avoid the difficult scene. By “difficult scene” I mean one involving a serious confrontation, a declaration of love or infidelity, or a confession of sin or weakness. These are scenes that lesser writers try to work around, since they are so difficult to write. But these scenes are the cornerstones of a meaningful story.
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