Science fiction, mystery, comedy, serious drama, cartoons, art film—with the exception of musicals, slashers and cowboy pictures, I love movies. My husband, Richard, also enjoys them, though he is less fussy about the type of movie he watches. So when we read some favorable early reviews of Magnolia, we were eager to see it.
Jesse Jackson is a complicated man. He has been right on most issues most of the time, though certainly not all the time. No one is more eloquent on the topic of human rights, and no one more personally committed to the cause of justice for minority and marginalized people.
The parish liturgy committee decided to adopt the contemporary version of the Lord’s Prayer for use during worship. From now on, at least at one of the services, we’d be “sinners” instead of “trespassers.” The next Sunday a distraught man cornered me. “You’ve taken the Lord’s Prayer away from us!”
Repent or perish. I’ve worked my entire career to avoid using this phrase from Luke 13:5. I’ve been afraid that if the Christian message is reduced to these three words, people will hear in them only an angry God, a God who uses any excuse to punish us.
In the last few months, virtually every mainstream periodical in the United States that pays attention to serious fiction has carried a prominent review of Marilynne Robinson’s new novel, Home. And just as with Gilead, her 2004 novel, the critical response has been an oddly illuminating combination of adulation, puzzlement and exasperation.