On Sunday I visited a church that's majority white but not overwhelmingly so. After worship, I stuck around for a planned conversation about Trayvon Martin and George Zimmerman. Here the demographics were flipped: a slight majority of African Americans.
But the white folks did their share of the talking.
When Barack Obama addressed the “Trayvon Martin ruling” Friday, he did more than offer his “thought and prayers” to the family of Martin, applaud them for their “incredible grace and dignity,” and narrate a history of racial surveillance that often leaves African Americans frustrated and even afraid. The president did more than acknowledge that the democratic judicial system had done its work, urge demonstrations to be peaceful, and call for close evaluations of “stand your ground” laws.
Obama took a moment where the nation was viciously debating its most cherished values through the death of a child and cast a vision for a better future through other children.
For most of my life now, I’ve been sucked ever deeper into various forms of Americana music. I love the simple forms and catchy tunes, the plainspoken emotion and humor, the fiddles and mandolins and banjos. In a worship context, I’m drawn as well to the music’s accessibility and its cross-generational appeal.
The musical The Book of Mormon portrays two naïve Mormon missionaries in Uganda proclaiming that “in 1978, God changed his mind about black people.” The joke isn’t mere whimsy; the LDS Church is widely perceived as racist. The irony is that had the church followed its initial trajectory, by now it likely would have become the most racially integrated and progressive church in America.
Tim Tebow is an example of how the public face of Christian athletes, like the public face of American Christianity in general, is overwhelmingly white—despite the fact that black Americans are the racial demographic most likely to identify as “very religious.” A recent Barna poll found that Tebow is by far the most well-known Christian professional athlete in the U.S. (with 83% awareness from the public), with retired white quarterback Kurt Warner a distant second at 59%. Robert Grifﬁn III (RGIII), a black quarterback who’s had a far more successful season with the Redskins than Tebow’s had with the Jets, trailed at 34%.
It's a good point, but I don't think it's the whole story.
Catherine Brekus introduces us to a disturbing, heartbreaking and improbably inspiring life. Sarah Osborn’s early years were an unending series of afflictions made worse by the austere Calvinism of her family and church. Born in England in 1714, Sarah emigrated to America with her parents, who settled in Rhode Island.
Americans have always believed that the devil likes to play politics. Colonial leader Henry Hugh Brackenridge claimed in 1778 that Satan inspired George III’s allegedly ruthless policy toward the colonies. Two decades later, Federalists claimed that the nascent Democratic Party had put forward the antichrist as a presidential candidate in the form of Thomas Jefferson. Later Jedidiah Morse, inventor of Morse code and end-times enthusiast, explained to audiences the Devil’s role in Jeffersonianism. He even claimed to have a list of Democrats who belonged to the Illuminati (though like Joe McCarthy, Morse never showed anyone his proof).
The History Channel miniseries The Bible has been alleged to continue this trend.
I for one am not sure the actor who plays Satan in the History Channel documentary looks all that much like President Obama. But I don't find this quote from the miniseries producer especially heartening:
Mark Burnett said the actor who played Satan, Mohamen Mehdi Ouazanni, "is a highly acclaimed Moroccan actor. He has previously played parts in several Biblical epics –including Satanic characters long before Barack Obama was elected as our President."