In 1 Kings, the storyteller sets the scene simply. Naboth the Jezreelite had a vineyard in Jezreel, beside the palace of King Ahab of Samaria. We have already been told a lot. We know that Naboth calls this beautiful valley home, that its name defines him and that he is Naboth the Jezreelite.
Most worshipers take the psalms for granted, treating them like background music that establishes a mood but has little grip on the imagination. Yes, the 23rd Psalm is brought in for comfort at funerals, and folks would miss the “green pastures” and “still waters” were they not invoked.
In Robert Bolt’s play A Man for All Seasons, Thomas More, lord chancellor of England under Henry VIII, attempts to reassure his wife and daughter (who are rightly concerned for his safety) by pointing to himself with the words, “This is not the stuff of which martyrs are made.”
One of my seminary teachers once said that if you can’t think of anything original to preach, you should tell Bible stories—they have enough power to turn people’s hearts toward God. This may not work with every text, but it certainly works with the drama and wisdom of the story of Naboth and the story of the woman who washes Jesus’ feet with her tears.
When I read the lectionary texts for this week, I was disappointed. Give me texts of David sinning, Amos raging against the “cows” of Bashan or Jesus again in trouble for loving outcasts. These I can run with. But don’t give me Paul always confident, walking by faith and not sight, apparently really feeling he’d rather be at home with the Lord than in his body, regarding no one from a human point of view.
When I take a long road trip, the route I choose depends on whether I am driving my car or riding my motorcycle. If I have a tight time line, I drive my car. I prefer to travel on interstate highways if possible. My priority is to get to my destination quickly; I map out a route, set the cruise control, turn on the radio, fly through the countryside and stop only when absolutely necessary.
Each of the four Gospels tells about the woman who anoints Jesus while he is at table, and in each Gospel someone sharply rebukes her for her action. But Luke is unique: unlike event as told the other three Gospels, the act of anointing as told in Luke does not portend Jesus’ death. Instead, hospitality and table fellowship are the recurrent themes, and they are a clue to the meaning of this parable.