When Barack Obama addressed the “Trayvon Martin ruling” Friday, he did more than offer his “thought and prayers” to the family of Martin, applaud them for their “incredible grace and dignity,” and narrate a history of racial surveillance that often leaves African Americans frustrated and even afraid. The president did more than acknowledge that the democratic judicial system had done its work, urge demonstrations to be peaceful, and call for close evaluations of “stand your ground” laws.
Obama took a moment where the nation was viciously debating its most cherished values through the death of a child and cast a vision for a better future through other children.
Holidays evoke moments of reflection. Americans just celebrated Memorial Day, a time to honor those who have fought and died in wars for the nation. Traditionally, people hold parades, gather in cemeteries and rally around monuments to fallen soldiers.
How should we decide who to vote for? Paul Root Wolpe thinks a candidate's personal ethics should be at the top of the list:
When we care about a candidate’s character, we are really asking, Is this person authentic? Are their positions a true reflection of their inner values, or are they politically expedient? Is a change of opinion on an issue a result of the candidate listening to others, learning and making a principled decision, or is it a response to pressure, polls and popularity? . . . . It is in the American character to care about our leader’s values. We should be proud of that.
I don't exactly disagree, but I don't find this all that helpful, either.
John F. Kennedy's famous
Houston speech on church and state during
the 1960 presidential campaign elicited Rick Santorum's after-the-fact disgust. Though Santorum
misrepresents the speech in some ways--Kennedy didn't say anything about
limiting religious institutions and leaders from speaking on public issues--he
is right to find the speech theologically lame.
Sunday morning comic sections occasionally include one of those confusing hidden pictures which can abruptly assume a different shape depending on how you focus on the images. Some people insist there is no three-dimensional shape in those colorful blocks of color; other smugly know that there is. Those shapes are like a poem, which calls on the reader to grasp the meaning in the design.