This spring, the most interesting question for me about the Occupy movement isn't whether it will find focus or whether it will revive or whether it will make a difference in the election. What I want to pay attention to is the ongoing and generative outpouring of creative politics.
The Occupy movement is rich in unedited signs. In my mind, creative placarding will forever be its legacy.
After glancing at recent headlines and listening to rumors,
I was under the impression that the Chicago City Council had passed repressive
new restrictions on protests leading up to the G8 summit in May. The
newspapers' pictures of Mayor Rahm Emanuel looked dictatorial. I pictured
Emanuel strong-arming the council into passing a crackdown.
If you want to read interesting on-the-ground reporting on the Occupy movement, you could do a lot worse than following Ezra Silk. The young writer--son of academic and religion blogger extraordinaire Mark Silk--has been traveling around to different protests and covering them from within.
The other day I left the office around lunchtime and walked over to the Occupy Chicago gathering outside the Board of Trade. At the corner waiting for the light to change, I stood next to a protest drummer who fit the stereotype well: unshorn, unkempt and not much over 20.
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