In The Sea and the Mirror, W.H. Auden audaciously wrote new poems in the voices of each character in Shakespeare’s The Tempest, all set after the action of the play concludes. The result is a work both wonderfully reverent and plainly modern—you might even call it modern in its reverence.
I would have hoped that anyone presuming to put out a book called A New New Testament would borrow Auden’s approach and give us a genuine literary and theological invention.
Parallel Lives of Jesus: A Guide to the Four Gospels, by Edward Adams. Introductions to the Gospels most often underscore the individual personality of each Gospel and leave aside questions of the Gospels’ similarity. Parallel Lives of Jesus achieves both with economy and clarity.
One of the most interesting shifts in Christian theology after the Shoah was in how the adjective Jewish was used. In the patristic era, to call someone’s work Jewish was to insult it: the work was too fleshly or legalistic. Since the Shoah, to call someone’s work Jewish is to praise it as appropriately this-worldly, concerned with the ordinary stuff of life, embodied.
Thomas Cahill's title comes from Genesis 49:26. Though it is hard to see any reference to Jesus in that passage, it does come close to defining this book's tone. Cahill calls himself "a faithful but flawed Catholic." It is clear that he has thought vigorously about Jesus and is an enthusiastic and able student of his subject.
Few biblical scholars at work today combine Allison’s extensive learning, personal modesty and refreshing honesty. In this study he attempts to reconcile his theological commitments and his historical reconstruction.