Boyhood takes 12 years and condenses it into one sitting. With some sort of mystical time-bending power, Linklater does not lose the slow pace. We still have a chance to savor ordinary moments. There’s no Hollywood makeup, smearing artificial age onto the skin. There’s no switch-up of actors. There is the aging process—that alluring rearrangement of the face and body. The effect is astonishing.
While vacationing in Orlando, Florida, my wife and I visited the “Terminator 2 Show” at Universal Studios. We entered the studio and received special 3-D glasses. When we peered through the glasses, the length and width of the images on the movie screen were deepened and our experience enhanced.
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