There’s a rumor going around about heaven. It’s been bruited about by well-known theologians, sharp-tongued satirists and social critics (Mark Twain among others), but it’s not really a very subtle point: The life of eternal blessedness sounds boring. My five-year-old son Andy voiced this concern early one morning while he was bouncing on the bed where I was trying to sleep.
In Oscar nominee Crash, writer-director Paul Haggis examines the U.S. racial divide in a series of interconnected short dramas that reach a powerful conclusion. It is a painful film to watch because Haggis offers no comfortable side with which the viewer can identify—until, that is, a conclusion provides a note of grace-filled hope. The racial bias of both black and white characters is exposed, leaving everyone culpable. As in many Krzysztof Kieslowski films, there are moments that suggest a transcendent hand is at work.
Thousands of medieval Christians answer the spiritual call of the pope, take up arms, and travel to the Holy Land to defend the faith against a barbaric and militaristic Muslim foe. The war is bloody, and over time Jerusalem is won, then lost again—but the spread of Islam into Christendom is halted.
We all know the story of the Crusades. Or do we?
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