In Oscar nominee Crash, writer-director Paul Haggis examines the U.S. racial divide in a series of interconnected short dramas that reach a powerful conclusion. It is a painful film to watch because Haggis offers no comfortable side with which the viewer can identify—until, that is, a conclusion provides a note of grace-filled hope. The racial bias of both black and white characters is exposed, leaving everyone culpable. As in many Krzysztof Kieslowski films, there are moments that suggest a transcendent hand is at work.
When two violent criminals show up at Tom Stall’s diner, he is forced to take action. He overcomes the assailants, obtains their gun and kills them. Widespread news coverage tells the story of this peaceful family man who halted the killers and their spree of violence.
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