It’s hard to deny these little echoes of the synoptics which John reshapes for his own dramatic purposes. It seems narratively wrong for Jesus to cleanse the temple at the beginning of his ministry rather than at the climactic end. It makes more sense if one hears Luke in the background ever so slightly—Jesus’ claiming of the temple as his father’s house and his identity as the Son. Here in John, he has just performed a miracle at his mother’s behest, bringing spirit into the most fleshly event of human life. Now he goes to what is supposedly a spiritual place and finds only flesh. No wonder he is annoyed.
I’ve never seen a film that translates grace to the screen like Babette’s Feast. As one of the rare films that focuses on the lined and battered faces of real people Babette’s Feast challenges viewers to love real life. The film embraces God’s love for the embodied, the ordinary and the value of the extraordinary, and a love that wastes nothing.
Here's some good news: despite our short collective attention span, despite the fiscal-cliff debacle dominating the headlines shortly after the Newtown shooting, the U.S. scourge of gun violence is still part of the national conversation.
I'm not sure how long ago it was, that summer afternoon at our friends' house when a neighbor drove her car dramatically into the yard and got out to say, catching her breath with every few words, that her two little boys were missing and that she feared they had wandered into the woods.