Rash writes stories that have as much impact as any I've read; those in this
collection often left me feeling as if I'd been kicked. Rash lives in and writes
about Appalachia, and his stories never leave that home, even when they're set
at the end of the civil war ("Lincolnites").
One of the best things about William Willimon's new book is that he introduces us to serious, spiritually significant works of fiction and makes us want to read them. One of the worst is that we might be tempted to take Willimon's book as a shortcut, using his summaries of great novels as a substitute for reading them.
John Updike's 19th novel, plotted as a "prequel" to Shakespeare's Hamlet, is a beautifully crafted, captivating story. Updike owes much of his thematic treatment to Shakespeare and to modern Shakespeare scholarship, but it is his own fertile imagination that generates the novel's compelling narrative. This is his best book since The Witches of Eastwick.
Winner of the 1998 Pegasus Prize for Literature, this novel is both a family saga and a fictionalized account of the history of Venezuela, focusing on the relentless conflict between races and classes over land ownership. A long list of historical figures march through its pages, including Simón Bolívar and a series of military dictators.
I try to follow the old adage about not judging a book by its cover, but the blurbs on the back of this first novel by former nun Christin Lore Weber put me on guard. Mary Gordon, Karen Armstrong and Sheri Reynolds--concerned about how Christianity stifles women, especially when it comes to sexuality--offer their praise.
The Prodigal Son may have left home because home was permeated with a fainthearted love-a prudent and stunted love-that made him want to get away. So suggests Jerome Strozzi, the main character of this novel by the late Jean Sulivan. "After we pass through the valley where souls are formed, there will no longer be families, but only persons-that is to say, friends.