At times Michael Moore’s anti-Bush movie Fahrenheit 9/11 is simply sophomoric and manipulative—its style of satire and innuendo making it more a comedy than a documentary, more Saturday Night Live than The Sorrow and the Pity.
Since bursting onto the national scene in 1989 with his celebrated documentary Roger & Me, Michael Moore has gone from being that goofy overweight filmmaker in tennis shoes and a baseball cap to being the resolute voice of the common American. His battles with the powers-that-be have cast him as a modern-day Frank Capra.
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