The world will
always be fascinated with Vincent van Gogh. It doesn't matter that his
sunflowers are on mugs, t-shirts, calendars and billboards, or that
psychologists have spent years studying every facet of van Gogh's emotional and
The Psalms have always functioned as a book of common prayer. But there is also a long history of turning to the Psalter as a sourcebook for poetry. It is not difficult to see why. Many of the psalms foreground the act of speech or song—the activity of utterance itself—as the chief end of everything that has breath.
How can hope be sustained when traumatic memories of conflict or oppression haunt a person or group? This question has become central in a course I am teaching with an African-American colleague. In “Remembrance and Reconciliation,” we are examining the legacies of racism and racial division in South Africa and the U.S.