"The rising of the sun / And the running of the deer, / The playing of the merry organ / Sweet singing in the choir” rings the chorus of “The Holly and the Ivy,” a favored carol of the season. It inspires me to a love song, an overdue tribute to the pipe organ, producer of merriment, inspirer of awe, mimic of angelic choruses, undergirder of hymns.
The church I serve is located in the midst of one of the busiest retail merchandizing areas in the country. Our closest neighbors are Bloomingdale’s, Marshall Field and Lord & Taylor. So I have the opportunity to observe firsthand how the stores and the city prepare for Christmas.
Picture the old man with the baby in his arms. He stands chuckling with giddy joy, or perhaps he gazes with streaming tears on his cheeks, or is lost in transfixed wonder. He says that this is enough now, he is ready to die. He has seen salvation and he can depart in peace. But what has he seen, really?
At Christmas even the most Protestant among us can be drawn to the contemplation of Mary. It seems right to recall her humble courage, her receiving and carrying and giving birth, and her joy as she sang of the saving work of God.
I was driving to work when a song on the radio caught my attention. In country style I was treated to a theological lesson: “God is our Santa Claus,” a voice crooned, “each and every day.” The words, sung half in a self-satisfied and half in a whiny and wistful tone, acquired for me the force of a revelation.
When I think of the Christmas story, I see the crèche that was displayed each year in the front hall of my family home. The manger scene began to take shape during the last week of Advent, when we cut fragrant pine branches and spread them on the hall table, then placed figurines of oxen and cows in the center. Mary and Joseph took their places amid the creatures.