In Mark’s Gospel the antidote for a fixation on power is a little child. In chapter nine, Jesus again shares news of his pending passion with his disciples. They don’t understand and are afraid to ask. Instead they argue among themselves about who is the greatest.
Back before pop diva Lisa Loeb became a household name, she and Elizabeth Mitchell performed together at Brown University. While Mitchell didn’t achieve Loeb’s fame, she possesses no less talent—and on her album for children, You Are My Little Bird (Smithsonian Folk ways), she demonstrates how the simplest music-making can be the most moving.
Just a few years ago, people accused religion scholars of ignoring children. Even those who worked in areas likely to require attending to them, such as religious education and pastoral care, often focused on adults instead. But in a relatively short time span, this has changed.
Mage Knights, those miniature warriors with names like Gibbering Ghoul, Bone Grinder, Soul Stealer and Weresabertooth, were all the rage last year in elementary school. Though designed primarily for the adolescent male world of gaming enthusiasts, Mage Knights also cast their spell on the younger set.
My extended family once had so many males named Frederick that the women in the family assigned each of us a number so the tribe could distinguish between us at family reunions. I became Fred IV. A casual observer might have thought that we considered ourselves royalty, or perhaps a line of renegade popes.