The Christian Century

My favorite Christmas book is The Donkey’s Dream, which is about the journey Mary and Joseph made to Bethlehem. Meant for young children, Barbara Helen Berger’s story is a brilliant and subtle work of theology. Or perhaps antitheology, as it allows simple images to tell us more than words can convey about what the incarnation signifies.

"Mercy” is the one expletive my grandmother Norris allowed herself, the all-purpose exclamation for times when she was too awestruck, befuddled or exasperated to say anything else. During the '60s, I considered her “Mercy” to be amusing and even charming, but also embarrassingly anachronistic. Now that I am older, however, "Mercy" seems a fine word for moments when other words fail.

It is hard to believe what we hear, that we are a blessed people, standing in God’s favor. Hard to believe that God will bring righteousness to our world, as mysteriously and yet naturally as a seed sprouts and grows out of the earth. We know it is foolish to put stock in such promises, when we have devastated God’s creation with war and willful misuse.

The most prophetic thing that Thomas Merton ever did was to say to a drugstore clerk who asked him which brand of toothpaste he preferred, “I don’t care.” Intrigued by the clerk’s response, Merton wrote, “He almost dropped dead. I was supposed to feel strongly about Colgate or Pepsodent or Crest. . . . And they all have a secret ingredient.” He concluded that “the worst thing you can do now is not care about these things.”

My extended family once had so many males named Frederick that the women in the family assigned each of us a number so the tribe could distinguish between us at family reunions. I became Fred IV. A casual observer might have thought that we considered ourselves royalty, or perhaps a line of renegade popes.

Few know blindness so profoundly as prisoners who once could see the whole world but now find the universe shrunk to the size of a cell. Inmates hear only what jailers allow, most often some version of “We own you.” As for music, the rhythm of one’s own pulse must suffice, and that hardly leads to dancing. One can even forget how to walk.

Isaiah and the Baptizer conspire to give us animal dreams in this dark season of Advent. The earlier prophet’s vision warms our hearts. Who among us hasn’t yearned for a world in which lambs could hang out with wolves and adders behave as though Mr. Rogers had taught them how to play with children? A strange political critter appears in the dream as well, one that’s not the puppet of pollsters and the powerful, but a leader with the heart and Spirit of God.

Few things are more complicated than trying to erect a new monument in the heart of Washington, D.C., but on September 9, 1997, a gigantic crane cut through all of the red tape encircling Judiciary Square and lowered a four-ton sculpture to its permanent cement base. What made this particular installation remarkable was the biblical symbolism of the sculpture’s design. Titled “Guns into Plowshares,” this 16-foot-high steel plow blade consists of 3,000 handguns welded together to form the distinctive shape of the well-known farm implement. Artist Esther Augsburger and her son worked for two and a half years with the Metro Police Department. They molded handguns that had been surrendered by local residents.

When I was a small boy in Ireland my parents would take us to our grandfather’s farm near Castlecomer in County Kilkenny. On the farm there was a hired man whose name was John Brennan. John lived in a thatched cottage about half a mile away. In the evening after the cows were milked, he would sit on a large flat stone outside the stable door and smoke a stained clay pipe. Sometimes I would sit beside him and he would tell me stories.

My gratitude for Advent has deepened over the years. I welcome the shorter days, and love the way the angled light of late November and early December makes everything look different. It seems to transform the world into a more promising place. Details are softer, colors pastel.