In a culture supersaturated with information, overwrought and overstimulated by media, none of us is immune to the allure of truthiness. With our attention stretched thin and largely confined to the surface, we are forced back on our intuition, to some reflexive sense of what “feels true.” Enter The Da Vinci Code. With the benefit of hindsight we can say the novel got noticed because of able marketing, and because it played into the manic milieu of truthiness.
Robert Shaw’s father was a second-generation evangelical minister with the Disciples of Christ, and Shaw said that his mother “was the best singer of gospel songs and spirituals I ever heard.” Although he intended to become a minister and served for a time in his father’s pulpit, Shaw (1916-1999) spent most of his life behind a conductor’s podium as the mo
At a time when religious conservatives claim a mandate and the best-selling Left Behind novels gleefully contemplate the destruction of all but a small remnant of humanity, the works of the Cambridge Platonists speak with particular resonance. These 17th-century rational theologians also lived in a remarkably fractious age.
Eugene Boring and Fred Craddock have endeavored to remake Barton Warren Johnson’s The People’s New Testament with Notes, a classic of the Disciples of Christ movement, for today’s church. The Disciples movement began with a protest initiated by Thomas Campbell in the early 19th century.
If you know about Jane Addams, you probably know the Jane Addams of Hull House, the Addams who worked for social justice, women’s suffrage and world peace and whose settlement house was a place where people met across racial, ethnic and class lines. Becoming this Jane Addams was an arduous process, as Louise W.