Paul Shepherd’s novel concerns the complex brew of loyalty and judgment that often characterizes relationships between father and son. This impressive debut novel resembles Marilynne Robinson’s Gilead with its masterful characterization, narrative economy, finely tuned prose and attention to the inner contours of spiritual dilemmas.
With a clever convergence of biblical texts, ancient Near Eastern literature, archaeology, and fictive imagination that is not fictitious, Beach weaves a new account of Jezebel and Ahab from the perspective of Jezebel.
As the defining crisis in American history gathered momentum and became civil war, ministers in both the North and the South spoke with authority, even defiance, about the overriding purposes of God. The impact was sobering. Precisely at a time when Protestant influence on national values had no real rivals, America collapsed into a war over the decisive moral issue of the day.
The first murder victim in P. D. James’s latest (and perhaps last) novel is a great writer who is keenly aware that his powers of mind and imagination are fading. Surveying a universe he perceives as empty and unfeeling, Nathan Oliver wants to shout, “Don’t take away my words! Give me back my words!” James herself has no need to utter such a cry.
These searching biblical reflections on the HIV/AIDS crisis pay special attention to the perspectives and suffering of women. The essays are authored principally by African women scholars. The volume includes a postscript by Letty Russell.