In 1831-32 two
young Frenchmen, Alexis de Tocqueville and Gustave de Beaumont, traveled
through the United States, ostensibly to study the prison system on behalf of
the French government. But the prisons bored and often appalled them--Quaker-inspired
prisons in Philadelphia being the exception--so they spent very little time in
prisons.

Instead, like
amateur anthropologists, they traveled through this relatively new nation,
exploring its landscapes and mindset. Engaging in conversation with learned
lawyers and simple farmers, they took copious notes. What resulted was
Tocqueville's classic book Democracy in America, which is still worth reading today.

Randall Steven's
review in the spring books issue of the Century inspired me to read Tocqueville's Discovery of America by Leo Damrosch. Damrosch, a Harvard
literature professor, provides a riveting and provocative account of
Tocqueville and Beumont's travels and their encounters with people along the
way. What is so striking to me is how formed the "American character" was
already by the 1830s--and how the issues the fledgling country was dealing with
then are still with us today.

The great
paradox of American society, Tocqueville discovered, was that it is a nation of
individualists who, nevertheless, are deeply conformist. While all people are
considered equal, and there is no true system of nobility, people are
distinguished by the amount of wealth they are able to accrue. Americans had
discovered good fortune, but not happiness--making Tocqueville wonder why they
seemed to be so restless in the midst of their wellbeing. It was this
restlessness that spurred the westward movement and drove the entrepreneurial
engine of innovation and industriousness.

Tocqueville, an
aristocrat himself, saw two distinct classes growing in the U.S.: the rich and
the poor, which he construed as "two distinct nations within the same nation."
He envisioned the emergence of a class of industrial capitalists who "lay down
the law" and are not committed to the welfare of their workers. By this time
people were becoming convinced that assisting the poor encouraged them in
dissolute living and irresponsibility.

Tocqueville
sensed a rapacious attitude toward natural resources, especially on the
frontier. And Tocqueville and Beaumont were particularly put off by the
genocidal treatment of native peoples, whom they saw as a noble people whose
culture was being snatched from them. While Tocqueville was pessimistic about
the prospect of radical change, he was dumbfounded by the scourge of slavery in
the South and by racist attitudes in both the North and the South.

Captivated by
this American experiment in democracy, Tocqueville wanted to learn what he
could that might apply back home in France. He saw how dynamic democracy is,
yet how unstable and even fragile. He envisioned what has come to be called
"soft depotism"--the power of democratic forces that doesn't break peoples'
wills but softens and bends them, making them willing subjects, all the more so
because they think they are actually free.

Perhaps there is
no greater instance of this soft despotism than during wartime. "There are two
things that will always be difficult for a democratic people-to begin a war,
and to end it," Tocqueville says. (Shades of Vietnam, Iraq and Afghanistan?) He
saw the danger of the centralization of power, especially during war: "There
can be no war that, in a democratic country, does not put liberty at risk... War
doesn't always deliver people over to military rule, but it cannot fail to
increase enormously the power of civil government."

The fragility and instability
of democracy as Tocqueville saw it brings to mind an anecdote about Ben
Franklin from decades earlier. At the end of the Constitutional Convention in
1787, a woman supposedly asked Franklin, "Well, Doctor, what have we got-a Republic or a Monarchy?"

Franklin's
reply: "A Republic, if you can keep it." That's still the question: can we keep
this democracy of ours?

Richard A. Kauffman

Richard A. Kauffman is a Mennonite minister and retired book review editor for the Century

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