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Grit and grace

True Grit has a lot of competition in the upcoming Oscar award night, February 27. It's not expected to win big, although it's been nominated for ten awards. Before the attention fades, however, I want to cast one more vote for the western remade last year by the Coen brothers.

My vote is based on the success True Grit has had in making me uneasy--uneasy about the way we've mythologized violence in the western, and uneasy about the film's parallel to the moral landscape of contemporary America, where violence and gun rhetoric remind me of the bluster of Rooster Cogburn (Jeff Bridges) and the doomed belief in Old Testament blood justice displayed by 14-year-old Mattie (Hailee Steinfeld). As she witnesses the horror of men hanged, shot and dragged by horses, Mattie loses the innocence of her religious bravado. "I was in the middle of it," she says. "It was a terrible thing to see."

Armond White, reviewer at New York Press, says the Coen brothers are making a statement about violence (even as they're preoccupied with it) and makes a good case for his view. While it's still a western, White argues, the landscape is stark and forboding. And the literary language (honoring the book by Charles Portis), which adds interest and humor, also serves to make the violence more jarring by contrast.

Finally, there's that music. The soundtrack begins with "Leaning on the Everlasting Arms" plunked out on a piano, then swells to the same hymm and others done with string accompaniment. Meanwhile, the violence rolls on.

Is there a moment of grace in the film? That's arguable, but there is one moment that stands out. Usually the hero kills the "bad guy" and gallops off into the sunset. In this film, U.S Marshall Cogburn must go back, retracing his steps in an  attempt to save Mattie's life. Night falls, the horse stumbles with weariness and Cogburn stumbles on with Mattie in his arms...

Soon afterward, the credits come up and Iris DeMent sings one more plaintive version of "Leaning." At that point, most of the audience is yearning for a sign of God's grace.

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True Grit revisited

Having made a point of watching the original True Grit ("free" cable) prior to shelling out $16 (for two) to this re-make, I found the comparison not favorable for Bridges, Steinfeld, Damon--but mostly for the producers. John Wayne at least was a lovable hero, not as drunk nor as stupid as this Rooster. The original Maddie: also more believable, not an alien misplaced in time, seemingly "above the fray" when surrrounded by danger, or, when left alone in the stark wilderness with her father's cold-blooded murderer. As to the "statement" against violence by the Brothers Coen, how much violence (Fargo, No Country for Old Men, etc.) is a statement before it becomes a contribution to the sickness?
Maybe it was the $16 that got me riled up.

true grit

I could not agree more. The movie is just rich and suggestive in so many ways--a true work of art.


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