Recorded in a converted New Orleans–area church over six days, Redemption is a jambalaya of Chicago blues, New Orleans funk, and robust soul. On the standout “Chariot,” Glen David Andrews’s voice rises with gritty passion as he trails into the song’s tag, borrowed from the spiritual “Sweet Home Chariot”:
To fully celebrate the life and legacy of Maya Angelou, we must contextualize her 86 years of living within the black religious traditions that influenced her and birthed her deep spirituality. While countless scholars have analyzed her literary, political, and cultural contributions, few have situated her work within the scope of black religious life, particularly the African-American Christian tradition.
On the mostly instrumental Pieces, JoyCut takes the sonic hallmarks of the 1980s New Wave era—from shimmering, echo-plastered guitars and propulsive picked bass to dysmorphic synthesizer pads—and reconfigures them in thrilling fashion.
Throughout this disc, Marco Di Maggio shows the versatility of a guitarist with an uncanny mastery of 1950s and ’60s surf, rockabilly, and country styles. On the lovely and gentle “Polka Dots & Moonbeams,” you’ll hear shadings of Wes Montgomery’s octave guitar riffing, along with the shifting jazz-pop chords of Chet Atkins.
Mark Bustos, a stylist at an upscale salon in Manhattan, gives free haircuts to homeless people every Sunday, his only day off from work. He started the practice during a trip two years ago to the Philippines. The response was so enthusiastic that he decided to make the same offer in New York. Many of the people whose hair he cuts are very thankful. He especially remembers the man who, after seeing what he looked like with his new haircut, asked, “Do you know anyone that’s hiring?” (The Week, August 29).