I got "saved" at a Carman concert when I was 12. It wasn’t the first time. But it was the first time I asked Jesus into my heart publicly, at an altar call. My friends and I became disciples overnight.
I wasn't, however, a disciple of Jesus—at least not directly. If I was discipled to anyone in middle school, it was to the pop stars of the contemporary Christian music scene.
When I am not involved in matters religious or scholarly, one of my favorite escapes is science fiction and fantasy literature or media. My favorite series is The Wheel of Time by Robert Jordan.
The series focuses on the actions of four friends, pushed by circumstances from their little village into the larger world. They discover along the way that they are meant to play central roles in the coming Last Battle of the Ages.
Before the dust had settled from the tramping boots, he’d appeared. Eyes beheld him to their confusion but when he breathed upon them they remembered the spring green hills of Galilee, the cool evening air scented of olive, laurel, clematis, myrtle. A peace they could not reckon. A dove called.
Left to the silence, they could hardly recognize themselves. How strangely their voices sounded and what unlikely things they must have said.
During Hitler’s siege of Leningrad in the winter of 1941–42, the Russian composer Dmitri Shostakovich and the entire Leningrad Philharmonic were evacuated from the city. A performance of Shostakovich’s seventh symphony, dedicated to the city of Leningrad, was planned for August 9, 1942. There were barely enough musicians left in the city to perform it. The score had to be flown in over German lines, and musicians were pulled from the front lines to bolster the meager ranks of musicians left behind. This performance was a show of resistance in a city which had just lost 1.2 million people (NPR, November 2).