The New York Times recently reprinted Michael Chabon’s “Why I Hate Dreams,” which created a little stir when the New York Review of Books first posted it a couple years ago. “Pretty much the only thing I hate more than my own dreams,” he wrote, “are yours.”
In theaters now, Nicholas Cage is taking us to the beginning of the end of time. A time when passengers vanish mid-flight, cars lose their drivers, and those who aren’t raptured face a violent world and a monumental choice: follow the Antichrist toward destruction or follow the righteous and be saved from the world. It’s the end of the world as we know it, and no one’s feeling fine.
Years ago, when the Left Behind series topped the bestseller lists, a friend and colleague of mine was on fire over the books.
Christian Wiman offers further evidence that his voice is among the most compelling in contemporary poetry. These poems are filled with theological conundrums, unanswered questions, brutal answers to questions never formed, and above all, contradictions.
For nearly 75 years, travelers on the Pennsylvania Turnpike could pull off the highway and walk up the steps to St. John the Baptist Catholic Church to pray or attend mass. The church features rich wood and hand-carved accents, a beautiful staircase to a loft, and 14 Tiffany stained-glass windows. But the days of the “Church of the Turnpike,” 90 miles east of Pittsburgh, could be numbered. A highway widening project is under way that will permanently remove the legendary steps in two or three years (RNS).