The transfigured Christ is miraculously lifted above Mount Tabor between Moses (on the right) and Elijah (on the left). James, Peter and John (from left to right) react to the blinding light and powerful drama occurring above them. Raphael is often called the great assimilator of the High Renaissance style, and the work exhibits the expected characteristics of balance, proportion and symmetry. The transfiguration appears in the upper half of the large altar painting (13'4" × 9'2") while the story of the possessed boy (which follows the story of the transfiguration in Matthew 17) inhabits the earthly realm. This is the last piece of art that Raphael worked on before his death on Good Friday, April 6, 1520, at age 37. It was brought from his studio in Rome and placed above his bier during the funeral in the Pantheon. The painting was originally commissioned by Cardinal Giulio de’ Medici for the Cathedral of Narbonne, France. He established a competition between Raphael and Sebastiano del Piombo, a Venetian artist, and Raphael may have included the rendering of the possessed boy to outdo Sebastiano.
Novelist Kent Haruf has often drawn on his upbringing on the sparse eastern plains of Colorado. But in his latest novel, Benediction, Haruf inches closer to his roots than he ever has. One of his central characters is a minister in a small town church that’s much like the ones that Haruf grew up in as the son of a Methodist minister.
This soot-dark smear across the brow, between the eyes, will lead you, if the way be clear, through all the endless winter of our year, toward an elemental table, the tears and savage hubbub of that agonizing garden, the treacherous courtyard, hilltop, nails and spear, the cry, the dark descending fear, and then another garden with a cave and such an austere emptiness will fill the rest of history with clear resounding alleluias.
At least half of churchgoers in the United Kingdom claim they’ve heard their church organist occasionally slip in unexpected tunes, from popular songs to advertising jingles and theme songs from TV programs or movies. Sometimes organists are motivated by playfulness, other times revenge. One organist played “Money, Money, Money” by Abba while the offering was taken. Another played “Roll Out the Barrel” at a funeral for a man known for his drinking. (The organist got sacked for this transgression.) An organist in Scotland at odds with the elders played a thinly disguised version of “Send in the Clowns” during the procession in a worship service (Telegraph, May 3, 2013).