I have never stopped thinking of myself as a beginner. Auguste Rodin
Now that I’m retired and done being chosen Or rejected, respect mine to give again, I want to grow large, as large as the twelve Year old who dived off a wooden platform under Weeping willows and swam the longest of Man-made lakes to impress Rachel Kerwood, Not sure he could make it an acceptable risk, So that when he climbed out on the other side Green pond scum clinging emeralds to a milk White back, he sat beside her in the sweet grass Eating black walnuts cracked open with a rock, Talking of things he could only speak of Because he’d swum through the silken stillness In the middle of the deepest lake, where Pure artesian springs turned the water cold, And sullen bullheads grew twice normal size.
One might be weary of flesh. One’s own, another’s. Flesh of neighbor, stranger, passerby. Flesh of the real or the imagined lover, or secret flesh that mind and heart deny. One might be shut of it, freed from the nerve, but flesh is merciless, confines us, binds us to our servitude to cleft and curve. Even You have been a slave to this, true Spirit, on that wild night, delirious, piercing the meat of life. And since? Scandal to our atoms when flesh, merging with flesh, happens on You in single, paradoxical bliss. Perhaps all earth shall plunge toward sun, savage with desire to be One.
Love, lust, forgiveness, remorse, tolerance, sin, violence and death—these are just some of the themes engaged in The ,Ballad of Jack and Rose. It’s the third feature film by writer-director Rebecca Miller (Personal Velocity, Angela), a former painter and actress who is the daughter of the late playwright Arthur Miller.
And I am one of your many amanuenses writing letters recommending you, then I am free to know you as I do and write you as I will, searching out your ways as I find you and longing to trust who it is I find.
But you are who I say you are and not, who they wrote you were and often are, who I wish you were and I hear Wish again.
So that I, exhausted, resign myself to Eckhart’s ecstatic, My me is God, and I am both glad and sad, for I turn around and there you are and it remains true that I see so little of me in you.
Still, no one is searching for me the way you are, even as I play my childish hide-and-seek with you, until you grow weary of my game and like a father with better things to do, go back to writing the ever evolving You.
Religion is often on display in professional athletics, with the exception of the National Hockey League. The few hockey players who are open about their faith buck a tradition of reticence or downright distrustfulness toward religion. Unlike professional football or basketball, many NHL players come from Canada or Europe, where the culture is much more secular and religious faith is closely guarded. There is also the suspicion in hockey that a person of faith might be too soft a player. Some hockey clubs make chapel services available, but far fewer than in professional basketball (Boston Globe, April 5).