Adapted from one of Robert Ludlum’s bestsellers, The Bourne Identity was one of the exciting entertainments of 2002. Matt Damon played the hero, a man hauled out of the drink who digs two bullets out of his back and finds a Swiss bank account number implanted in his hip. He has no recollection of who he is, but he’s exceptionally strong and resourceful.
The news that director Jonathan Demme (The Silence of the Lambs) was making a new version of the 1962 cold-war thriller The Manchurian Candidate provoked howls of protest from purists who didn’t see the need for an updated version of that memorable film (especially since it was out of circulation for 25 years—a political fallout of the Kennedy assassination).
Emma Sulkowicz, a Columbia University student, is carrying her mattress everywhere she goes as part of her senior visual arts thesis. Two years ago she was attacked and raped in her dorm room. Sulkowicz sees this performance art project as a way to show the burden sexual assault survivors carry everyday. Last year three women reported assaults by the same person; all three cases were dismissed by the university (Time, September 2).