Arts+Culture

Arts+Culture

We Are the Eighth Day, © Melanie Weidner

Poetry

Trespasses

Among small things there are no boundaries
Not the sparrow, but the spot the sparrrow leaves
Between the shaking limb, the sunlight and the trees

Beetles discard themselves as husks
Even galaxies pass right through one another
Not us, not we middle beings

We own and occupy, stack stones at borders
We find what we lack everywhere and lack
Everything we find, wanting everything

I wait until you are asleep and warm
To touch your hip, and voice your name
To ascertain whether you are there—or only I remain









Poetry

Synge at Dun Aengus

At the white line of the shore,
where sight loses sense—
to the sure edge of things—I’ve carried me west.

No hope now in Paris . . .
its finery and absinthe,
nights marbled with comfort. And truth? But a tenth

of the whole: lichen
hard upon stones.
Gray within some grayer gray. The only motion—a lone

gannet glides above
the steel-dark surge. Galway
lumbers, crumbling, under an old Imperial sway—

its harbor lights spark
from ages out.
Rock, turf and shore. Here, at least, no doubt.

There is the sky.
There is the sea.
There is the narrow road down to the quay.













Poetry

Children in the long grass

She likes to watch her children
in the long grass, how they disappear,
emerge, like they’re swimming in
an ocean without current but the one
of growing. See how the long blades
part for them, how they close up
all around, Watch the gold
heads bob, hands reach up for
the sun as if it’s the transportation
of these years. Hear the silence,
the safe silence. And then
the muffled noise rolling through
the shafts, secured forever by the
wrinkled smile of her hearing.
Children are nature’s people now,
but her nature too, the one that
says, play here, will later sigh,
but how could I prevent you.



Film

Bunkered down

Guilt and remorse over Nazi atrocities and the horrors of World War II have consumed Germany for decades, influencing politics, culture and the arts, including cinema. The rise of the German New Wave of filmmakers in the 1970s (led by Werner Herzog, Wim Wenders and Rainer Fassbinder) was fueled in part by a desire to exorcise Germany’s dark past.
Poetry

Spring inventory/Ursuline Mother House/Paola, Kansas

Thanks for this window, three stories up,
and the breeze in the curtains, laundered by the rain,
for the unrolling leaves, green and silver.

Thanks for the red-tile roof and the clean white
cornice, for the blue-gray wings in the eaves,
coming, going, spread cruciform.

Thanks for the quicksilver sky caught
in a bowl, for frogs in the garden,
flip-flap, chitter-chatter trees,

and that one persistent whistler whose
song flies out like line
from a fisherman’s reel.

This is my song, too,
cast out, cast
out.