The acclaimed Mexican filmmaker Alejandro González Iñárritu strings together four stories from around the globe in Babel. It’s an effort to show an interconnected world marked by divisions, alienation and suspicion—the curse of Babel.
In Homer’s Odyssey the Sirens’ song was an enchanting tune, impossible to resist, that lured lonely sailors toward a perilous shoreline, where they would die when their ships crashed against the jagged rocks. In the mesmerizing documentary The Bridge, the Sirens’ song is the strange allure of San Francisco’s magnificent Golden Gate Bridge.
That time I thought I could not go any closer to grief without dying
I went closer, and I did not die. Surely God had His hand in this,
as well as friends. Still, I was bent, and my laughter, as the poets said,
was nowhere to be found. Then said my friend Daniel (brave even among lions), “It’s not the weight you carry
but how you carry it— books, bricks, grief— it’s all in the way you embrace it, balance it, carry it
when you cannot, and would not, put it down.” So I went practicing. Have you noticed?
Have you heard the laughter that comes, now and again, out of my startled mouth?
How I linger to admire, admire, admire the things of this world that are kind, and maybe
also troubled— roses in the wind, the sea geese on the steep waves, a love to which there is no reply?
Coming to God: First days
Lord, what shall I do that I can’t quiet myself? Here is the bread, and here is the cup, and I can’t quiet myself.
To enter the language of transformation! To learn the importance of stillness, with one’s hands folded!
When will my eyes of rejoicing turn peaceful? When will my joyful feet grow still? When will my heart stop its prancing as over the summer grass?
Lord, I would run for you, loving the miles for your sake. I would climb the highest tree to be that much closer.
Lord, I will learn also to kneel down into the world of the invisible, the inscrutable and the everlasting. Then I will move no more than the leaves of a tree on a day of no wind, bathed in light, like the wanderer who has come home at last and kneels in peace, done with all unnecessary things; every motion; even words.
All afternoon the sea was a muddle of birds black and spiky, long-necked, slippery.
Down they went into the waters for the poor blunt-headed silver they live on, for a little while.
God, how did it ever come to you to invent Time?
I dream at night of the birds, of the beautiful, dark seas they push through.
These poems are excerpted from Mary Oliver's book Thirst (Houghton Mifflin), used wth permission of the publisher and the author.
No nesting. You are the nest. No wind, no earthquake, no fire; Only still small stirring within. More motion, no fledgling— Only slippery sharp shards shattered below. Quiet. Only stillness will bear you To the fullness of time.
I occasionally hear parents complain that their elementary school children have ended up studying dinosaurs for several years in a row. A few grades go by and suddenly it seems like the only specialized knowledge their child has picked up is how to tell a Pachycephalosaurus from a Pentaceratops. As for teachers, they know that kids love studying dinosaurs.
So you doubt the whereabouts of God, a quark, everywhere yet nowhere at once. So the hell what? Doubt you the wind, doubt sandstone erosion and trilobite carapace. Let faith in dawn weather slow as feldspar. The sperm whale’s lungs collapse a thousandfold in unfathomable depths, yet bear it, unyielding. You who preach against miracles, go doubt the arctic tern asleep on the wing. Doubt that a father will leave untouched constellations of frost inside his windshield, the breath of his child frozen overnight. Doubt that bodies lose a few grams the moment of death. Doubt that, you who will, doubt that.
Americans now donate five times as many clothes to charity than they did in 1980. The supply of donated clothing outstrips the demand: typically, only 20 percent of donated clothing is sold where it is donated. In 2014, 11 percent of clothing donated to Goodwill ended up in landfills. About 45 percent of all donated clothing is exported to foreign countries by for-profit companies. The glut of used clothing disrupts local economies in developing countries, putting textile workers out of jobs. Bre Cruickshank recommends that clothing donors invest “in timeless styles of better quality,” rather than “refreshing our wardrobe according to seasonal trends” (Not Just a Label, April 9).