“. . . he was carried up, and a cloud took him.” Acts 1:9
Gravity, they say, is all about mass. Big attracts Big sucks big pulls big, like death, won’t let go. Still, We worship those who try: “Lucky Lindy,” St. Michael Jordan. Leonardo, bless him, forever plotting how To fly, or assuage the general jowliness of time.
Jesus was taken up, and Mary. St. Teresa of Ávila Had to cling to the rail during prayer to keep from Floating skyward—the Assumption being that things Sometimes fall up. But, come on, which way is Up? That is to say, which way isn’t? If Teresa was
A person of such faith, why didn’t she just let go? Like The man I knew who, after being told he had “maybe Six months,” immediately signed up for swimming Lessons. “Well,” he said, “I just felt that if I could learn How to float, I could learn how to die.”
And the graves were opened; and many bodies . . .     which slept arose, And came out of the graves after     his resurrection, and went into the holy city, and     appeared unto many. Matthew 27:52-53
When asked, “Just what is night anyway?”     Coyote closed his eyes,     Placed his burden basket over his head     And began making the sounds of hoot owl.         “The Burden Basket,” Elderberry Flute             Song, Peter Blue Cloud
What do you think of the little rumblings, the discontents, the warpings of fault lines and fissures? What seems to be said takes some thinking. He led captivity captive.¹ Now that he ascended, what is it but that he also descended first into the lower part of the earth.² What could it have been to descend into the earth: the magma and lava the dark heat nearly sweat lodged there? Was it where he wandered with his ash bucket, his firepans and shovel after Calvary, after the graves were opened? What did the dead do the three days he was in hell preaching on last chance to the unchanced? Did they look at one another and didn’t quite know what to do? Maybe some saw their families on the street and weren’t recognized. How had they changed that they didn’t know them? It would have been too much anyway for the families to know their dead were only waiting on Jesus and had three days to kill and would have to leave again for a second parting while the families were still grieving from the first. Still others hid out, pulling their tunics and cloaks and head cloths about them, holding their little angers, the mistreatments, the rapes, the robberies, and waited on the edge of town for him to return from hell and take them in the air.
through the windows, fields that remember you. Past the yellow church beside the forest, hush. I’ve had to learn the ease of waiting. Somewhere, in autumns, the songs grow surer with waiting. You cannot hurry through hurt. Quiet. Still. Slow, like those swallows along the rooftops. Color upon a shawl.
Steven Spielberg’s War of the Worlds churns up an emulsion of suspense and horror that engulfs you with the gray relentlessness of a low-grade fever. This is not the kind of thrilling, soaring adventure Spielberg created in Jaws or Indiana Jones and the Temple of Doom; it’s a cheerless piece of visceral manipulation.
So Jesus’ wealthy friends did prove useful in the end. All four narratives seem to agree on this. Joseph, after all—the one from Arimathea, not his Dad— Joseph pulled strings with Pilate. Did he have to call in a few favors earned in questionable ways so he could claim possession of the corpse? Old Nicodemus too, Jesus’ night-shift friend from the Sanhedrin, Nicodemus makes his own fleeting reprise, carting along a ton—almost—of fragrant spices, nard and myrrh (again!), for preservation purposes. Although where he got such pricey stuff, late on a holiday Friday afternoon, is never quite explained. And that convenient, fresh-hewn, garden tomb; even back in the day, sepulchres such as those did not come ten-a-penny! Add in all the hired help they must have needed to get stuff from here to there and, of course, to roll and seal that massive rock . . . Whole thing makes you wonder—doesn’t it?— wonder if that narrow needle’s eye got prized wide open— camel-size, at least—to accommodate these late allies.
Children who sing in a choir, play in an orchestra, or perform in a play are more likely to make good moral choices compared to their peers. This finding was the result of a study at the University of Birmingham involving 10,000 British children and 250 teachers. The study also concluded that participation in sports doesn’t necessarily lead to better moral choices. The findings suggest that sports build character only when parents and coaches work to ensure that outcome. Children who go to church, get good grades, and have parents with a higher level of education also did better in the moral choices measure (Telegraph, February 27).