Maker of galaxies, at latest count Billions! And who can say that our Big Bang Was not preceded, from your primal fount By other billions, while the angels sang? Then shall we take the word of a great Jew, That one child is more precious in your sight Than all the rocks in all the worlds you view, And loyal anima is your delight? Maker of galaxies, how then weigh out A small Iraqi eye, terror-suffused, Against the marvels you have brought about, Why are your little children so abused? “Not bread, not miracles, not use of power,” So your Son said. We must await your hour.
Spring did not officially arrive until two this afternoon, or so the weatherspinner had informed us, so that when, at morning prayer, my still wintered words were interrupted by a pair of honking calls, I laughed aloud to think that my Canadian neighbors of several springtimes had beaten nature’s clock by seven hours and more to seek their customary lot along the creek for hatching this year’s brood.
Minutes later—the creed and half a prayer, no less— and their first raucous pass to reconnoitre was followed by the splashdown run, low now across our deck and through the clustered trees onto that quiet pool stretching above the rapids where, over the next few days, they will be joined, most likely, by a familiar pair of mallard ducks who share their taste in shoreline real estate. Meanwhile a red-tailed hawk orbits high aloft in leisurely anticipation.
He introduces each poet with a brief biography or an overview of the poet’s work. Hirsch draws on his own lifetime of poetry reading and writing in assembling an engrossing collection that will serve those who appreciate poetry but are glad for a guide. The international collection of poems and poets testifies to the power of poetry around the globe.
“I have been even as a man that hath no strength, free among the dead . . . Shall thy loving-kindness be showed in the grave?” —Psalm 88
Some days I feel as old as father Abraham, doddering father of a teen-aged daughter who last week attended her first “real” concert, at the crowded Aragon Ballroom in Uptown. When will my own days feel real again, the frozen clock hands begin to turn again? When will this chemical burning in the veins stop, and hope, perhaps, be recompensed? I wear this long wool coat against the cold that hurts me, covered with two scarves, my face covered to avoid any feeling of cobwebs, with their every thread feeling like a tiny razor blade slicing the skin. There is no ounce of benignity in this feeling. Maybe that is why the winter mask, last week found at Target, most accurately resembles a terrorist accessory, all black- hooded with eye slits. Were I to wear it, I would appear on campus like an ISIS recruit, no doubt a proud servant in his mind, clouded by the violence of the mission and sentence he honors. O the necessary horrors, those airstrikes occurring in the body’s battleground, leveled at the cells. If I were to wear the black hood, guise of a hangman (not the one hanged), I fear that campus security would target me, bucolic space locked down in emergency protocol. That’s all I would be: self-terrorist, strapped with the various wires of my sickness.
Katrina Spade, founder of the Urban Death Project, plans to compost human remains with wood chips inside a three-story concrete core. She argues that this approach is even more ecologically sound than cremation, which creates greenhouse gases. Bob Fells, executive director of the International Cemetery, Cremation and Funeral Association, thinks treating human remains as a waste product is disrespectful. Spade is hoping to break ground for the composting facility in Seattle by 2022 (Slate, July 15).