We Are the Eighth Day, © Melanie Weidner


American beginnings

Terrence Malick’s The New World is not your father’s historical adventure film.

Talk to the animals

If you grew up on C. S. Lewis’s Narnia books, you won’t be disappointed in The Chronicles of Narnia: The Lion, the Witch and the Wardrobe, the first in a projected series. It’s visually rich and imaginative, and emotionally stirring.

Man in black

Director Sidney Lumet once lampooned the “rubber ducky” school of drama: “Someone once took his rubber ducky away from him, and that’s why he’s a deranged killer.” In telling the story of singer Johnny Cash and his tumultuous reckoning with fame—including a first marriage that crashed in divorce (though a union that produced Rosanne Cash can hardly be characterized a failure); an addiction to pill

The life force

When two violent criminals show up at Tom Stall’s diner, he is forced to take action. He overcomes the assailants, obtains their gun and kills them. Widespread news coverage tells the story of this peaceful family man who halted the killers and their spree of violence.


When I was young,
Christmas wasn’t very much—
a balsam culled from the edge of a field,
colored balls in a tattered box,
durable strings of colored lights,
glorious music in local churches,
long, slow winter hours.

Now that I am four fifths old,
Christmas is so very much,
so bought and sold in Christian bulk,
   carols slammed down secular streets—
   bad or worse in slipshod churches.
What sea or landfill’s deep enough
to hold the glitter-smash
of all these broken ornaments?

. . . Who are you again?

I was a wise man,
literate in stars.
—and now—?

Ancient and uneasy in America,
wrapped in swaddling robes,
wheel-chaired, parked
beneath denatured swags
of falsely berried nevergreen,
I miss austerity.
I miss desert travel.
I miss the naive Christmases
when, four fifths young
in my frugal father’s house,
I wrote my hopes on a battered desk
in a shadowy hall upstairs—
the ceiling high and cold with draft
on dragging winter evenings
when there was no entertainment
but my mind unentertained,
    yet knowledge of approaching holiday.
Once I dreamed that I worked all night, forgetting—
then woke in the downstairs room
as warm as womb: the tree of light.

But most of all,
I miss how every modest Christmas morning,
disappointment in the presents
faded quietly and wisely, gone by breakfast
even for us children.

. . . but—who are you again?

come back
in another searching time.
Searching for what?

The light from the star
that just now is arriving.
The astrologer? One of the three?
Why here?

Too much room at the Christian Inn.
And who would look for a Magus here
among this wreckage of untreasured age
and unmined memory?
Herod is alive and well
and killing babes for no reason at all.
This is the manger of 2005
and the hay is eating the oxen.
I do not understand you.

What is it in this saturated, satiated
anti-Midas age of yours
that everything you touch,
once gold, turns lead!
Even the holy babe we found
is new-born, yes! again this year,
       but four fifths dead.
Wait! Don’t wheel away—!
I’ll tell you what I still can see
on late-in-Advent evenings
in my clearest memory: the true Nativity–
my faithful father’s glowing tree
reflected in the tall black window panes of living room,
the colored lights imposed
on bare and frozen trees outside,
and that was it—the lead-to-golden bough,
like Gabriel’s who imposed on Mary’s how.

Like Christmas then on Christmas now.
Believe I do reject the artificial tree
and heart of modern Christmas “season”—

Are there any more like you?
Two or three in beds and halls
and cattle stalls
on every floor.

Will you take back one Christmas night,
one Christmas morning, only, for your use?
Will you refuse cartoonish “power” pointed
songs of praise (follow the bouncing ball)
projected in what used to be a sacred space,
and wait for writing by the hand on temple wall
Can we agree?

Will you come with me?
Though I seem to nod in this cushioned chair
in the cushioned space of used-to-mean,
let word go forth in Herod’s time again:
we are at odds with the even powers
and will report to no one what we’ve seen.
We’ll secret the strains of ancient songs
of love bereft and hope long gone,
safe in heart, secure in mind,
singing the news between mourn and morn:
—for two or three of us old kings
          he is still born.