Arts+Culture

Arts+Culture

We Are the Eighth Day, © Melanie Weidner

Film

Sensual morality play

Latino cinema has a long tradition of tweaking the Catholic Church for its supposed hypocrisy, involvement in secular politics and manhandling of sexual issues. Thirty-nine-year-old Argentine filmmaker Lucrecia Martel now joins in with her own rants on the rigidity and absoluteness of Catholic doctrine, especially as it pertains to children.
Film

The Dark Knight

As a boy, I was a slave to DC Comics. When the new issues of Superman, Batman, Action, Adventure and World’s Finest hit the stands, I was off to the drugstore to purchase and devour a fistful of 12-cent comics. It was a ritual that continued for many years, until I finally moved on to sports biographies.
Poetry

The reconfiguration of grand dreams

                                    —near Biertan, Romania

Confusing, how the landscape stumbles—
there is sky beyond this sky, a backyard
of chickens, a broken dog. Ambition,
like green fields, slows upon autumns
and the few ancient trucks. Work earth,
plow and hoe, bent over the soil again.
Years of this sameness. Years of the white sun.

To marry a girl was the one thing. The other,
talk—long into nights out past the river.
Sometimes three of us found ourselves there.
We shared what we had, even failures
we’d carried in our coats. In that certain dark,
nothing but compassionate days, when our tilling
turned the ground to wider orbits, to order.

A village closes upon itself. The road’s rise
toward Copsa Mare is the firm hand urging.
Doorways are boundaries children learn
to respect. Someone, born to it, swells within
his father’s isolation, painting his barn
a fierce yellow. Hay in the lofts. I know
how surely we fall to ourselves in this world.





Film

Intrigue at the UN

Intelligently detailed, impressively mounted, absorbingly told and undeniably gripping, Sydney Pollack’s The Interpreter is a very satisfying movie—unless you’re seeking something more than a thriller that only superficially engages its political subject.
Poetry

Crutch

Politics, our children,
     Some ball team—ordinary
Palaver among old friends
     At a B-plus restaurant,
Till between the soups and the blood-

     Red meats I mentioned a nun.
She wanders the crack dens of bitter-
     End Brooklyn, forging through places
Grown hot as embers with sin.
     I needed to call it so,

Though I had no axe to grind.
     She seeks “the least of these,”
For which I voiced only wonder.
     And yet when one woman countered,
“Your faith’s no more than a crutch,”

     A devil put cruelest things
In my head. I didn’t speak them,
     Mindful of words of James:
How our tongues are harder to govern
     Than bloodhorse or masted ship.

How they need to be governed no matter.
     Though faith didn’t need my defense,
Believe me, that moment of choice,
     My silence, didn’t come easy
To one who for years was addicted

     To thought he called free, unsponsored,
Till all that freedom produced
     A pair of paper slippers,
Blue robe, steel gurney with straps.
     In a bright-white lockdown ward,

Librium’d, flat on his face,
     He groped for the crutch of grace,
With which he has hobbled his way
     From the Pit, as the Psalmist calls it,
Up to a wider place.

     That seemed a choice as well:
He chose to believe in salvation.
     As still I hope to choose,
Though the crack house carries on,
     The pit bull snarls at his station,

Urine steams in the hallways,
     Stars on high are a puzzle,
And my nun can’t account for a thing.
     There’s none of us who can,
Wrapped in our other addictions.

     Yet there’s no accounting either
For what I felt this Easter:
     I heard from the gospel of John
About Mary Magdalene.
     Woman, why are you weeping?

So the Christ is said to have asked her
     Before he named her: Mary.
To which she answered: Rabboni!
     I recalled a state beyond crying,
All my tears sunk into the bedclothes.

     A voice announced, It’s over.
Then I felt the rush of undying.
     In Hebrew, rabboni means teacher.
You can look it up in a book.
     Does my friend believe these stories?

She doesn’t. Nor I, exactly.
     Not a word. Not a literal word.
I believe them inexactly,
     In a way that beggars our speech.
Something taught me something.

     It’s no use to speak of it glibly,     There’s no accounting for grace.
Why then did it prove such a battle
     For me to say nothing that evening?

The tongue as I say was hot
     As a coal, was keen as a sword?
I might loose it. Caustic. Unruly.
     How it hates to speak of faith,
And can only speak of faith.

Which is after all merely a word.