Thank you, Morgan, preschool prodigy of likenesses. I hadn’t considered my propane heater so closely, its hot imagery, how, as you declared that winter evening in my kitchen, munching a chip two-handed like a squirrel, the heater’s line of flames looks like people. And as your younger sister Ella whirled in pink britches around the kitchen singing flames like people, people dancing, and as you grinned at your own brilliance and the brilliant line of half-blue half-orange folk you culled up with spark of thought and vapor of breath, I saw them too, figures swinging hips with whippy fervor to the beat of ignition.
Born seeking likenesses, each of us. We secure a simile, like the wild Ella scooped and wrapped in her father’s arms, let it burn to purer metaphor, let it cool as we celebrate, as we praise our precocity. Really, we praise the world, we delight in its many wrought likenesses.
Joel and Ethan Coen accomplish what Cormac McCarthy set out to do in his bombastic 2005 novel No Country for Old Men. The movie by the same name is a portrait of the moral void of post-Vietnam America (it’s set in 1980). The title, which implies a nostalgia for vanished old-world values, is taken from Yeats’s poem “Sailing to Byzantium.”
Great stories touch on many themes and give us a long list of things that they could be said to be “about.” As I tell my students, if you think Moby-Dick is just about whale- hunting, you weren’t paying attention.
One morning this summer I was basking in the sun With the brother closest to me in age. We had been Brought up almost as twins but then took disparate Roads, as twins do. He was sobbing and I was near Tears and the ocean was muttering. I heard a heron. We had been having the most naked open talk we’d Had in many years. I wanted to tell him how deeply I loved him but words are just so weak and shallow. So I talked about the forsythia bush we used to hide Under together. It was the safest place on the planet. The light was always amazing in there and it wasn’t Ever muddy somehow and you were draped in gold. It was a hut a huddle a tent a canopy a cave a refuge. Sometimes you have to use a thing to say something Else. We do this all the time. We talk sideways, yes? But sidelong is often the only road that gets to where You know you need to go. So much means lots more Than it seems like it could mean. Tears, for example.
John Coleman, who died recently, presided over Haverford College during the tumultuous Vietnam War era. He sympathized with students’ antiwar protests but also tried to channel the antiwar movement in constructive ways. When students considered burning the American flag, Coleman placed a washing machine at the center of the campus and encouraged students to wash the flag instead. He persuaded dozens of college presidents to sign an antiwar statement. On sabbaticals he took blue-collar jobs to explore the gap between academics and workers (Inside Higher Ed, September 12).