Steve Zaillian’s adaptation of Robert Penn Warren’s 1946 Pulitzer Prize–winning novel All the King’s Men, about the making of a demagogue—modeled on Louisiana governor (and later senator) Huey Long—is languid, undramatic and shapeless. Zaillian has a talent for streamlining big, incident-filled books.
It was the age of levitations and decapitations, of ghostly apparitions and sudden vanishings, as if the tottering Hapsburg Empire were revealing through the medium of its magicians its secret desire for annihilation.” So writes Pulitzer Prize–winning author Steven Millhauser in “Eisenheim the Illusionist,” one of the finest stories in his 1990 collection The Barnum Museum.
This morning’s miracle: dawn turned up its dimmer, set the net of frost on the lawn to shining. The sky, lightly iced with clouds, stretched from horizon to horizon, not an inch to spare, and later, the sun splashed its bucket of light on the ground. But it’s never enough. The hungry heart wants more: another ten years with the man you love, even though you’ve had thirty; one more night rinsed in moonlight, bodies twisted in sheets, one more afternoon under the plane trees by the fountain, with a jug of red wine and bits of bread scattered around. More, even though the dried grasses are glowing in the dying light, and the hills are turning all the syllables of lavender, as evening draws the curtains, turns on the lamps. One more book, one more story, as if all the words weren’t already written, as if all the plots haven’t been used, as if we didn’t know the ending already, as if this time, we thought it could turn out differently.
And I am one of your many amanuenses writing letters recommending you, then I am free to know you as I do and write you as I will, searching out your ways as I find you and longing to trust who it is I find.
But you are who I say you are and not, who they wrote you were and often are, who I wish you were and I hear Wish again.
So that I, exhausted, resign myself to Eckhart’s ecstatic, My me is God, and I am both glad and sad, for I turn around and there you are and it remains true that I see so little of me in you.
Still, no one is searching for me the way you are, even as I play my childish hide-and-seek with you, until you grow weary of my game and like a father with better things to do, go back to writing the ever evolving You.
Religion is often on display in professional athletics, with the exception of the National Hockey League. The few hockey players who are open about their faith buck a tradition of reticence or downright distrustfulness toward religion. Unlike professional football or basketball, many NHL players come from Canada or Europe, where the culture is much more secular and religious faith is closely guarded. There is also the suspicion in hockey that a person of faith might be too soft a player. Some hockey cl