Many fields, many treasures, many pearls (One chosen). Here, fish netted, many kinds, But singularity is not the point, The point is, good are kept, and bad destroyed. Are these the gentle Galilean’s words? If so, a strange form of gentility: The angels throw the evil in the fire, And there is weeping and gnashing of teeth. O, how we twist and turn and rationalize, Assured Matthew was victim of his time, And heaven’s kingdom never need be forced, And “way that leads to life” is easy, smooth. Shall we amend, then, the Apostles’ Creed: “To judge the quick and dead”? This we don’t need.
You can snarl and rage and roar and snipe at thugs and liars, Sure you can, and right you are for doing so, and you maybe Actually enjoy letting the lava soar out all righteously, right? But even so, there are lies inside you like viruses. You know What I am talking about; we don’t need to go into any detail. And we have been too familiar with a little thuggery, haven’t We? Not battery: You’ll say, rightfully, that you are innocent. No: I mean the times you knew about assault and battery, and Did zero. We just stood there. We pretend to be fascinated By something else that just happened to be happily elsewhere. We turned our heads, so it looked like we just hadn’t noticed; We can surely be excused if we didn’t see it, right? Right?
During Hitler’s siege of Leningrad in the winter of 1941–42, the Russian composer Dmitri Shostakovich and the entire Leningrad Philharmonic were evacuated from the city. A performance of Shostakovich’s seventh symphony, dedicated to the city of Leningrad, was planned for August 9, 1942. There were barely enough musicians left in the city to perform it. The score had to be flown in over German lines, and musicians were pulled from the front lines to bolster the meager ranks of musicians left behind. This performance was a show of resistance in a city which had just lost 1.2 million people (NPR, November 2).