Claude Lelouch’s 1966 film A Man and a Woman remains the North Star of romantic French movies. It also remains his obit-leader, since Lelouch has done nothing in the past 42 years to approximate that runaway success.
The band R.E.M. is easy to love—and hate. In the 1980s the group from Athens, Georgia, defined college and indie rock. It grafted locomotive Rickenbacker guitar and bass onto the no-nonsense beats of Bill Berry and the barely audible but alluring vocals of Michael Stipe.
A wave in the water. The word opens, shape for knowing at edges, darker fields, trouble: a wave in the water. The word waits long to shatter on silence, prove, prove that falling is a wave. In the water, the word opens, shape for knowing.
Like The Lion, the Witch and the Wardrobe (2005), the first nonanimated big-screen feature film based on C. S. Lewis’s Chronicles of Narnia books, Prince Caspian is visually spectacular, emotionally stirring and dramatically potent.
There was a shallow moss gray basin set with bunches of grapes. The grapes were chiseled green with the ripeness of their September harvest. There was a pert glazed pitcher, black as obsidian, filled with cold water. There were six linen napkins with red diagonal strips laxly laid by earthenware plates.
But no one sat at the low walnut table. There was no shepherd or mastiff nearby. No, Old Pritchard’s family—bless them!— was casting about somewhere below for his lean body, his cracked bones.
Print books remain significantly more popular than digital books, according to a recent Pew Research Center survey. The bad news is that the number of people who reported reading a book in any format last year was 73 percent, down from 79 percent in 2011 when Pew first started gathering data on the reading habits of America (Publishers Weekly, September 16).