Since bursting onto the national scene in 1989 with his celebrated documentary Roger & Me, Michael Moore has gone from being that goofy overweight filmmaker in tennis shoes and a baseball cap to being the resolute voice of the common American. His battles with the powers-that-be have cast him as a modern-day Frank Capra.
In the third Harry Potter movie based on J. K. Rowling’s wondrous series of children’s novels, filmmaker Alfonso Cuarón takes the wheel from Chris Columbus, who steered both of the earlier pictures. It would be hard to think of a director with finer credentials for the job.
Even in Maine’s rain and fog I catch them, often in pairs, or waiting, patient, perched on a scarcely bending twig of our aged forsythia, then working the window box petunias till the coast seems clear, while I hover, motionless, on the shadowed porch, hungry for still another glimpse of ruby throat and emerald layered coat, the delicate dip of beak in cup, the tilted head, the blur of wings, that sudden flash of movement— now-you-see-me-now-you-don’t. Whatever it may be in me— some wandered/wondered child— that makes me watch and wait, this late, the daily hours to catch their, almost holy, visitations, I’m grateful for it, mindful too of one who, every once in a long while, still hovers back there just beyond, behind the nearest edge of solitude, or prayer, or even glimpses of the tiniest of birds.
No one understood my nightly need to be reassured I’d wake up again the next day. Eyes closed, I saw no sheep but the tufts of pampas grass looming silver like a solitary path. The scroll hung above me, a verse in five and seven, its flowing hand thin and illegible—I still knew it was about our life not lasting very long. How is it that adults were okay with such a prospect? In July, bamboo blades rustled against paper cranes and prayer strips; I wondered how I’d made the cut, when I wasn’t a boy my father wanted, wasn’t a koi princess my mother said would magically turn her tail into a pair of legs. I looked for the fabled rabbits on the moon, a family of them taking turns to pound rice into pearly cakes along their dark, elliptical orbit.
A copy of the Bay Psalm Book, the first book published in America, will be auctioned off by Sotheby’s and is expected to bring between $15 and $30 million, making it the most expensive book ever sold. One of two copies owned by Old South Church in Boston, it is one of only 11 remaining copies published. The proceeds will be used to help replenish Old South’s endowment once $7 million of it is used for deferred maintenance. The church historian resigned over the congregation’s decision to sell one of its treasures, but the rest of the congregation overwhelmingly supported the decision (New York Times, November 15).