If you grew up on C. S. Lewis’s Narnia books, you won’t be disappointed in The Chronicles of Narnia: The Lion, the Witch and the Wardrobe, the first in a projected series. It’s visually rich and imaginative, and emotionally stirring.
Director Sidney Lumet once lampooned the “rubber ducky” school of drama: “Someone once took his rubber ducky away from him, and that’s why he’s a deranged killer.” In telling the story of singer Johnny Cash and his tumultuous reckoning with fame—including a first marriage that crashed in divorce (though a union that produced Rosanne Cash can hardly be characterized a failure); an addiction to pill
When two violent criminals show up at Tom Stall’s diner, he is forced to take action. He overcomes the assailants, obtains their gun and kills them. Widespread news coverage tells the story of this peaceful family man who halted the killers and their spree of violence.
Chanticleer brings its usual polish, balance and tonal beauty to these intimate sacred songs. The rich harmonies are powerful as the melodic lines crunch against one another. Has anyone ever been better at such writing than Henry Purcell?
Philosopher Michael Ruse is an ardent evolutionist and unbeliever, but he often comes to the defense of believers who are under fire from militant atheists like Richard Dawkins. Ruse says his sympathetic stance toward religion is partly due to his Quaker upbringing. “I grew up surrounded by gentle, loving (and very intelligent) Christians. I never forget that,” said Ruse. He also objects to what he regards as bad atheist arguments. Evolution explains the existence of religion as an adaptive mechanism, but that doesn’t necessarily explain it away. “It is as plausible that my love of Mozart’s operas is a byproduct of adaptation, but it doesn’t make them any the less beautiful and meaningful,” Ruse said (New York Times interview, July 8).