The British band Delirious has always been smart, drawing comparisons to U2, Radiohead and Blur. With the album The Mission Bell, the band shoots for added lyrical depth and force. “Our God Reigns,” a key-of-D dirge built around spare acoustic guitar, keyboards and thunderous percussion, may be the hardest-hitting piece, tacking issues like abortion and the AIDS pandemic. (“My Chinese take away/ Could pay for someone’s drugs.”) “Love Is a Miracle” alternates between smoldering, soulful verses and wide-open, gospel-flavored choruses, while “Paint the Town Red” rocks as hard as anything Delirious has ever cut.
I am imagining the soldier who drove the nails, clambering around or across the body, straddling and stretching to reach the hands, trying to avoid seeing the face and eyes, ignoring the eternal life line dividing the palms from fingers down to wrists, glimpsing the lips moving silently, mouthing words not meant for ears to hear; And I’m wondering how many keepers of reliquaries claim to own those nails, or perhaps even the letter home written by the nailer or some other soldier ordered later to do his duty and pull them out.
Time’s Visitor feels time upon his head. Tuesday of Holy Week. Sunday’s parade. Monday’s prophetic Temple escapade. And three days hence “beloved son” is dead. (This was the designation Mark had heard From Peter’s lips: “Christ said ‘beloved son.’”) Now, since his earthly race is nearly done, No calembour must cloud Messiah’s word. So we require no fancy exegesis, Creation’s gifts are here; the Covenant; Moses; the prophets; foul sin’s great affront; Pater absconditus, Father of Jesus. He knew the issue of these words, so clear, He even knew the time of chanticleer.
If there is a movie that can make you feel optimistic about the possibilities of forming community in America, Dave Chappelle’s Block Party is it. In September 2004 Chappelle, an African-American stand-up comic, celebrated his $50 million contract with Comedy Central by throwing a free hip-hop party in Bedford-Stuyvesant, Brooklyn.
The diaries of World War I poet Siegfried Sassoon have been digitized and made available to the public by the University of Cambridge. Sassoon, a British soldier, was quickly disillusioned by the war and became an outspoken war critic. His diaries feature poetry, prose, and drawings and include his 1917 antiwar “Soldier’s Declaration,” which got him committed to a hospital for the duration of the war. He described the first day of the Battle of Somme as a “sunlit picture of hell” (BBC, July 31).