New Orleans’ Lower Ninth Ward, largely inhabited by poor African-American residents, looks not much different now from when the floodwaters receded. You have to wonder how Washington would have reacted if Katrina had hit a wealthy, white gated community.
Staff Sergeant Brandon King (Ryan Phillippe) thinks Tikrit will be the last stop on his tour of duty in Iraq. It’s a bad finish: he leads his men into an ambush. He loses three of them and another winds up blind and crippled. When Brandon and his childhood friend Steve Shriver (Channing Tatum) return to their Texas hometown, they’re proclaimed war heroes.
It was once in early May, a raw day, Bitter, on a western creek, I crouched Beneath a weeping willow, expecting Nothing, resting really, the black back Eddy smooth as glass when suddenly The rod tip bent with such great force I almost fell, but didn’t though I couldn’t move, it was that cramped Beneath the tree nor could I even raise My rod. I could only hold my breath, The reel singing, line spun out, Pulled by what I couldn’t see, but How I longed for just a glimpse, A glimpse would be enough, I thought, Until a glimmer showed itself, a flash Of light deep in the dark, and then, Of course I wanted more, the all of it To see and hold before releasing, Letting go. Like life, the way we’re meant To live, to let each breath be all there is, But seldom do; it isn’t easy. Perhaps I prayed, I can’t be sure, but Inch by inch, the fish drew near, until The moment, timeless, now, a rainbow Like a blessing rose, shimmering, A gift bestowed.
After so much darkness, the field’s excess of light, the day floating on itself as in a dream. But it isn’t a dream, the small wound songs of the house finch, the sun hammering the grasses’ bronze tips. We had gathered about your bed
like a boat we tried to push off stony ground. We wanted to help: we believed in the buoyancy of that water. You held onto the ruins instead of our hands. What did we know of how it is to look back at one’s life?
A bee swings from the nightshade. Ants carry their burden up the post of the shed unmoved by song.The grasses bend under the weight of so much light. And the balm of the wind: from the woods the singing of leaves. Or is it the sound of water flowing?
So you doubt the whereabouts of God, a quark, everywhere yet nowhere at once. So the hell what? Doubt you the wind, doubt sandstone erosion and trilobite carapace. Let faith in dawn weather slow as feldspar. The sperm whale’s lungs collapse a thousandfold in unfathomable depths, yet bear it, unyielding. You who preach against miracles, go doubt the arctic tern asleep on the wing. Doubt that a father will leave untouched constellations of frost inside his windshield, the breath of his child frozen overnight. Doubt that bodies lose a few grams the moment of death. Doubt that, you who will, doubt that.
Americans now donate five times as many clothes to charity than they did in 1980. The supply of donated clothing outstrips the demand: typically, only 20 percent of donated clothing is sold where it is donated. In 2014, 11 percent of clothing donated to Goodwill ended up in landfills. About 45 percent of all donated clothing is exported to foreign countries by for-profit companies. The glut of used clothing disrupts local economies in developing countries, putting textile workers out of jobs. Bre Cruickshank recommends that clothing donors invest “in timeless styles of better quality,” rather than “refreshing our wardrobe according to seasonal trends” (Not Just a Label, April 9).