Many fields, many treasures, many pearls (One chosen). Here, fish netted, many kinds, But singularity is not the point, The point is, good are kept, and bad destroyed. Are these the gentle Galilean’s words? If so, a strange form of gentility: The angels throw the evil in the fire, And there is weeping and gnashing of teeth. O, how we twist and turn and rationalize, Assured Matthew was victim of his time, And heaven’s kingdom never need be forced, And “way that leads to life” is easy, smooth. Shall we amend, then, the Apostles’ Creed: “To judge the quick and dead”? This we don’t need.
I wish that everything could be like this— Sex, for instance. Love. To touch the blood Of someone else by reaching deep in kiss Made holier than kiss, by Jesus made
Into the resurrection of the body, And by the God for whom he is the son. I feel that I was born to do this duty, To place my hand inside of such a one
And gasp. I am the awe of the beloved, Who finds fulfillment in the commonplace, The one who hears the footsteps, sees the face, And weeps. True, some by their belief are moved. Not me. His blood is drying on my fingers. The scene of who he is, and was, still lingers.
The diaries of World War I poet Siegfried Sassoon have been digitized and made available to the public by the University of Cambridge. Sassoon, a British soldier, was quickly disillusioned by the war and became an outspoken war critic. His diaries feature poetry, prose, and drawings and include his 1917 antiwar “Soldier’s Declaration,” which got him committed to a hospital for the duration of the war. He described the first day of the Battle of Somme as a “sunlit picture of hell” (BBC, July 31).