“The Department of Defense announced Friday that the battery operated ‘digital’ bugle has come of age and is a necessity with only about 500 U.S. military buglers to perform at the 1,800 daily funerals for veterans.” –Washington Times, 10/09/02
And now even this is pantomime— or worse—a kind of full-bodied lip sync at the gravest occasion. Someone in uniform lifts horn to lips to blow (one thinks), simulates the deep draw that hallows breath into note and moves us to that spacious human room where mourning sounds. And now even this is just charade, a button pushed (at least the fingers move), and though the tones are clear as night and sure as sleep, one wonders whether God is really nigh and what besides the soldier-child might die.
Devotees of children’s literature have received an unexpected lift from the nearly simultaneous release of the new film of Charlotte’s Web, based on the story by E. B. White, and Miss Potter, a biography of Peter Rabbit’s creator, Beatrix Potter. Each in its way is a charmer.
The walk back, more loss. When I open the door it’s over, so I set to piddling: tidy end tables, check the mail, draw a bath. The restless energy finally settles as I pass the mirror. I peer into it. My nose touches glass. Not much left, already effaced, not even a cross to speak of. A smudge. A few black soot stains like pinpoints on the forehead. The rest of the blessed ash has vanished to a grey amorphousness, to symbolize . . . not much. Except a wish for those hallowed moments to be followed by sustaining confidence. Except spirit, which means to shun its listless weight for yearning, awkward if not more earnest prayer and fasting in the clear face of dust.
Now forty winters have besieged this brow that bears the mark of ashes once again, its shallow furrows yielding to time’s plow as, on command, I turn and turn again. With every year the mark goes deeper still and stays there longer than the year before, reminding me, despite my flesh’s will, there comes a spring when I’ll be marked no more.
Yet still I bow and part my graying hair to make way for the dust that makes us all, the mortal touch, the cross traced in the air, the voice that tells me to regard the fall that each of us must know before we rise and raise unwrinkled brows to greet God’s eyes.
Indigenous women in Bolivia are hand-weaving a small device used to seal holes in the hearts of infants. The simple, inexpensive device, called an occluder, is made of a single strand of superelastic metal. It takes several hours to fashion. Designed by a Bolivian cardiologist, the device has saved the lives of thousands of children born with this condition. The incidence of this birth defect in La Paz, Bolivia, is ten times higher than in other places due to the high altitude. The occluder is also made for export (BBC News, March 29).