One took the colony by the heels, slapping its flank until it issued a broad cry of rage. Tall and forbidding, she waxed both sharp and sweet, flying in the angry face of magistrates, chafing the tender hearts of the unregenerate gently with her tireless voice. She coaxed as women labored in their cramped beds of pain.
The other fashioned quills and parsed her poems in clean white sheets. Still, her clumsy child shamed her, walking on stumbling feet, as real a “monstrous birth” as the first Anne’s tissue of stubborn clots. What was it she tried to say, poet in a wife’s starched linen, submitting to her tasks and thanking God without conviction for each bitter loss? Sarah, Hagar in exile, she too never went back; the stormy Atlantic roiled, keeping her margins, her heart rising within her and rising, rising again.
Claude Lelouch’s 1966 film A Man and a Woman remains the North Star of romantic French movies. It also remains his obit-leader, since Lelouch has done nothing in the past 42 years to approximate that runaway success.
The discovery of a Philistine cemetery outside the walls of the ancient city Ashkelon on the southern coast of Israel may provide clues to the origins of the ancient Philistines. A team of scholars is using DNA research and other techniques to determine the Philistines’ origins. Existing archaeological and textual evidence indicates that they originated somewhere in the Aegean region (National Geographic, July).