“When you pray, go into your room,” He said, so each green dawn as spring light stirs, I sit, womb-snug, in my small room, hushed high above unfurling leaves, with Luke who’s all of five days new, but solid as a loaf of bread, and, oh, such wisdom; petal-soft, in and out, I hear his breath. Receive. Release. That’s all there is. Just this. Quiet. Nothing more.
Purporting to deliver the straight goods on modern sexual interactions, Closer is glossier than last summer’s similarly themed We Don’t Live Here Anymore, and it has a more impressive pedigree—an award-winning director (Mike Nichols), a highly acclaimed British stage play (by Patrick Marber) for its source, and a glamorous cast: Julia Roberts, Clive Owen, Jude Law and Natalie Portman
It is hard to be moved anymore by films about concentration camps. The grainy images of scarecrow figures; maniacal guards firing pistols on a whim; parents dragged away while children stare—Hollywood has managed to turn such horrors into stock visuals. It has made the unspeakable not only speakable, but almost rote.
The snow in North Dakota asks a question with no question mark, no capital letter, to indicate where it begins and ends or what lies in the middle, for that matter. The question is white and drifts above the cab of the snowplow while in its orange light people lean into the wind along the curb, digging out cars that vanish in the night.
At home their dogs are silent, hearing no sound. The cattle huddle and freeze, and buffalo crossing the buried fence, free now to roam, stand silver and stiff as nickels in the dawn— eyes frozen wide and blank as if they tried to comprehend the question while they died.
No one understood my nightly need to be reassured I’d wake up again the next day. Eyes closed, I saw no sheep but the tufts of pampas grass looming silver like a solitary path. The scroll hung above me, a verse in five and seven, its flowing hand thin and illegible—I still knew it was about our life not lasting very long. How is it that adults were okay with such a prospect? In July, bamboo blades rustled against paper cranes and prayer strips; I wondered how I’d made the cut, when I wasn’t a boy my father wanted, wasn’t a koi princess my mother said would magically turn her tail into a pair of legs. I looked for the fabled rabbits on the moon, a family of them taking turns to pound rice into pearly cakes along their dark, elliptical orbit.
A copy of the Bay Psalm Book, the first book published in America, will be auctioned off by Sotheby’s and is expected to bring between $15 and $30 million, making it the most expensive book ever sold. One of two copies owned by Old South Church in Boston, it is one of only 11 remaining copies published. The proceeds will be used to help replenish Old South’s endowment once $7 million of it is used for deferred maintenance. The church historian resigned over the congregation’s decision to sell one of its treasures, but the rest of the congregation overwhelmingly supported the decision (New York Times, November 15).